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The Poetics of the Kōmos -Chorus in Menander's Comedy
16 references·7 citing·33 second hop
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References

  • 1986Speech Genres and Other Late Essays9,076 cited
  • 1989Mass and elite in democratic Athens: rhetoric, ideology, and the power of the people654 cited
  • 2000Performance Culture and Athenian Democracy653 cited
  • 1988The Invention of Athens: The Funeral Oration in the Classical City469 cited
  • 1987The Great Dionysia and civic ideology438 cited
  • 1997Greek Tragedy and the Historian336 cited
  • 1992Nothing to Do with Dionysus?: Athenian Drama in Its Social Context287 cited
  • 1990Genres in Discourse245 cited
  • 1990Die attische Mittlere Komödie230 cited
  • 1997Images and Ideologies: Self-Definition in the Hellenistic World222 cited
  • 1953The dramatic festivals of Athens222 cited
  • 2000Civic ideology and the problem of difference: the politics of Aeschylean tragedy, once again212 cited
  • 1992Pindar's Homer: The Lyric Possession of an Epic Past191 cited
  • 1970Studies in later Greek comedy163 cited
  • 1984Hesiod, Odysseus, and the Instruction of Princes157 cited
  • 2004Reproducing Athens: Menander's comedy, democratic culture, and the Hellenistic city

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155 cited

Cited by

  • 2014The Cambridge Companion to Greek Comedy58 cited
  • 2018Greek Tragedy in the Fourth Century: The Fragments51 cited
  • 2014The politics of Greek comedy42 cited
  • 2010Menander's Theophoroumene between Greece and Rome35 cited
  • 2014The reception of Greek comedy in Rome30 cited
  • 2014Epicharmus and early Sicilian comedy30 cited
  • 2014Theiconography of comedy16 cited