SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Duchamp in context: science and technology in the Large glass and related works
0 references·13 citing·41 second hop
Duchamp in context: science and technology in the Large glass and related works (1999)Duchamp in context: science and technolog…Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization (2023)Touching Variables: Decolonia…Art in the Rear‐View Mirror (2016)Art in the Rear‐View MirrorThe Image and Imagination of the Fourth Dimension in Twentieth-Century Art and Culture (2009)The Image and Imagination of …Modern Time: Photography and Temporality (2009)Modern Time: Photography and …The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 1900 (2008)The pulse of modernism: exper…Modern Alchemy (2007)Modern AlchemyRethinking Permanence and Change in Contemporary Cultural Preservation Strategies (2005)Rethinking Permanence and Cha…Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology (2004)Gyorgy Kepes, Billy Klüver, a…Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century (2004)Editor's Introduction: I. Wri…Representing“Le moteur humain:”Chronometry, Chronophotography,“The Art of Work”and the “Taylored” Body (2003)Representing“Le moteur humain…Marcel Duchamp's Art and the Geography of Modern Paris (2002)Marcel Duchamp's Art and the …Edith Sitwell's Atomic Bomb Poems: Alchemy and Scientific Reintegration (2002)Edith Sitwell's Atomic Bomb P…The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp's “Hilarious Picture” (1999)The Large Glass Seen Anew: Re…Principles of Geology (1837)Nature of the Physical World (1958)Pandora's Hope: Essays on the Reality of Science Studies (2000)The Principles of Psychology (1891)Understanding Media: The Extensions of Man (1964)Action recognition in the premotor cortex (1996)‘The subjective inside us can turn into the objective outside’: Vernon Lee’s Psychological Aesthetics (2011)Self-Projection: Hugo Münsterberg on Empathy and Oscillation in Cinema Spectatorship (2012)From facial expressions to bodily gestures (2015)The Country and the City (1973)Place and Placelessness (1978)Social Formation and Symbolic Landscape (1986)Maps, Mapping, Modernity: Art and Cartography in the Twentieth Century (2005)Maps, Mapping, Modernity: Art and Cartography in the Twentieth Century (2011)The fourth dimension and non-Euclidean geometry in modern art (2013)Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute (2013)Land-Grant Hybrids: From Art and Technology to SEAD (2017)THE QUESTION CONCERNING TECHNOLOGY (2018)Craftspeople as Technical Collaborators: Lessons Learned through an Experimental Weaving Residency (2020)La science et l'hypothèse (1968)Theories of Modern Art. A Source Book by Artists and Critics (1969)Dis-locating innovation : amphibious geographies of creative reuse and alternative value production (2017)The floating churches of Volgograd: River topologies and warped spatialities of faith (2017)La Valeur de la Science. (1905)Science et méthode (1934)The Social Life of Things (1986)The New Institutionalism in Organizational Analysis (1991)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions (1963)Surveying the literature on technoscience art: from pioneer stories to collaborations between artists, scientists and engineers as the object of study (2017)Discourse Networks, 1800/1900 (1990)War and Cinema: The Logistics of Perception (1991)Television (2004)Science in Action: How to Follow Scientists and Engineers through Society (1988)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Sorting Things Out (1999)Wolfgang Pauli and the Fine-Structure Constant (2011)‘Keeping in the race’: physics, publication speed and national publishing strategies inNature, 1895–1939 (2013)Physics and Psychics (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007Modern Alchemy85 cited
  • 2008The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 190050 cited
  • 2004Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology29 cited
  • 2009The Image and Imagination of the Fourth Dimension in Twentieth-Century Art and Culture25 cited
  • 2002Edith Sitwell's Atomic Bomb Poems: Alchemy and Scientific Reintegration15 cited
  • 2016Art in the Rear‐View Mirror14 cited
  • 2004Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century10 cited
  • 2002Marcel Duchamp's Art and the Geography of Modern Paris9 cited
  • 1999The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp's “Hilarious Picture”8 cited
  • 2005Rethinking Permanence and Change in Contemporary Cultural Preservation Strategies7 cited
  • 2003Representing“Le moteur humain:”Chronometry, Chronophotography,“The Art of Work”and the “Taylored” Body5 cited
  • 2023Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization4 cited
  • 2009Modern Time: Photography and Temporality1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work