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Pitch Organisation in S criabin's T enth S onata
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References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited
  • 2004Scale Networks and Debussy79 cited
  • 2012Audacious Euphony: Chromaticism and the Triad's Second Nature54 cited
  • 1988The Music of Alexander Scriabin40 cited
  • 1984Scriabin's Self-Analyses35 cited
  • 1980Scriabin's Implicit Tonality22 cited
  • 1983Late Skriabin: Some Principles behind the Style19 cited
  • 1996Scriabin's Octatonic Sonata17 cited
  • 1993Orthography in Scriabin's Late Works15 cited
  • 2004Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project11 cited
  • 1983Skryabin's Prelude, Op. 67, No. 1: Sets and Structure10 cited
  • 2010‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabin8 cited
  • 2010Skryabin's Revolving Harmonies, Lacanian Desire, and RiemannianFunktionstheorie7 cited
  • 2008Principles of Pitch Organization in Scriabin’s Early Post-tonal Period

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