A 'Failed' Unison or Conscious Differentiation: The Notion of 'Heterophony' in North Indian Vocal Performance

Abstract

This paper is inspired in part by the necessity for examination of the cross-cultural application of musical terminology, and suggests that such examination is illuminating of both our understanding and of our own interpretative assumptions.I examine the term flheterophony«, both in general and in how it is used to describe melodic accompaniment, or sangat, in North Indian music.I argue that the value of hetero-UDC: 78.021( 540)

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 5 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.