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A 'Failed' Unison or Conscious Differentiation: The Notion of 'Heterophony' in North Indian Vocal Performance
14 references·0 citing·33 second hop
A 'Failed' Unison or Conscious Differentiation: The Notion of 'Heterophony' in North Indian Vocal Performance (2006)A 'Failed' Unison or Conscious Differenti…Improvisation: methods and models (2001)Improvisation: methods and mo…Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music (2000)Confronting the Social: Mode …Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction (1997)Knowing Music, Making Music: …The Voice of the Sarangi: An Illustrated History of Bowing in India (1994)The Voice of the Sarangi: An …Khyal: Creativity within North India's Classical Music Tradition (1988)Khyal: Creativity within Nort…The Study of Ethnomusicology (1986)The Study of EthnomusicologyThe Concept of Cultural Translation in British Social Anthropology (1986)The Concept of Cultural Trans…The Study of Orchestration (1984)The Study of OrchestrationThe Old Way of Singing: Its Origins and Development (1981)The Old Way of Singing: Its O…Cantometrics: An Approach to the Anthropology of Music (1981)Cantometrics: An Approach to …The Social Organization of a Music Tradition: Hereditary Specialists in North India (1977)The Social Organization of a …The Wellsprings of Music (1962)The Wellsprings of MusicJapanese Music and Musical Instruments. (1959)Japanese Music and Musical In…PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)PRESCRIPTIVE AND DESCRIPTIVE …Elizabethan critical essays (1904)The British Broadside Ballad and Its Music (1966)The Music of the English Parish Church (1980)A Historical Comparison of Public Singing by American Men and Women (1989)Art music from 1800 to 1860 (1998)Music-Language Correlations and the “Scotch Snap” (2011)Melody: A Popular Perspective (1987)The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s (2001)The inclusion of music/the music of inclusion (2009)Folk Song Style (1959)Action, Criticism and Theory for Music Education (2004)Prescriptive notation: Limits and challenges (2007)Chinese Musical Language Interpreted by Western Idioms: Fusion Process in the Instrumental Works by Chen Yi (2011)Is Higher Music Faster? Pitch–Speed Relationships in Western Compositions (2013)Surrounded by Sound. Experienced Orchestral Harpists' Professional Knowledge and Learning (2015)The Modernization Process in Two Oriental Music Cultures: Turkish and Japanese (1976)No nonsense: The logic and power of acoustic‐iconic mnemonic systems (2000)Lost in translation? Ghost music in recent Japanese Kaidan films and their Hollywood remakes (2010)Reputation in a Musical Scene: The Everyday Context of Connections between Music, Identity and Politics (1998)Agency, Leadership, and Gender Negotiation in Balinese Girls’ Gamelans (2010)String quartets as self-managed teams: An interdisciplinary perspective (2010)Death metal tonality and the act of listening (1999)The possibility of impossible cultures (2009)The Development of Musical Skills of Underprivileged Children Over the Course of 1 Year: A Study in the Context of an El Sistema-Inspired Program (2016)Performing identity within a multicultural framework (2005)CantoCore: A new cross-cultural song classification scheme (2020)The Global Jukebox: A public database of performing arts and culture (2022)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)The “Third Hand”: IT-Enabled Competitive Advantage in Turbulence Through Improvisational Capabilities (2010)Rethinking ethnography: Towards a critical cultural politics (1991)Reading the Past (2003)Transnational Human Rights and Local Activism: Mapping the Middle (2006)
this work references cited by second hop

References

  • 1986The Concept of Cultural Translation in British Social Anthropology806 cited
  • 2001Improvisation: methods and models342 cited
  • 1958PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING239 cited
  • 1962The Wellsprings of Music159 cited
  • 1986The Study of Ethnomusicology157 cited
  • 1981Cantometrics: An Approach to the Anthropology of Music118 cited
  • 1997Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction72 cited
  • 1984The Study of Orchestration72 cited
  • 1981The Old Way of Singing: Its Origins and Development60 cited
  • 1959Japanese Music and Musical Instruments.60 cited
  • 2000Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music24 cited
  • 1977The Social Organization of a Music Tradition: Hereditary Specialists in North India15 cited
  • 1988Khyal: Creativity within North India's Classical Music Tradition13 cited
  • 1994The Voice of the Sarangi: An Illustrated History of Bowing in India12 cited

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