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An authentication case study: Antonio Palomino versus Vicente Guillo paintings in the vaulted ceiling of the Sant Joan del Mercat church (Valencia, Spain)

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References

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2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
1983The Artist's Handbook of Materials and Techniques

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105 cited

2010Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies88 cited

2009On‐site analysis of Chinese Cloisonné enamels from fifteenth to nineteenth centuries81 cited

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2014Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM‐EDS17 cited
2024Pigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite15 cited
2013Mineralogical Characterization of the Polychrome in Cultural Heritage Artifacts (Antiquity to Date) from Southern Spain Using Micro-Raman Spectroscopy and Complementary Techniques15 cited
2021Mitigating Harmful Effects of Climate Warming on Ceiling Paintings by Ceiling Insulation: An Evaluation Using Timed IR Imaging and Numeric Modelling2 cited