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The image and the witness : trauma, memory and visual culture
0 references·16 citing·41 second hop
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Cited by

  • 2014Visual criminology and carceral studies: Counter-images in the carceral age136 cited
  • 2012Trauma Site Museums and Politics of Memory129 cited
  • 2013Genocide Films, Public Criminology, Collective Memory58 cited
  • 2013Protest Movements and Spectacles of Death: From Urban Places to Video Spaces56 cited
  • 2019Trauma34 cited
  • 2012Ruins, Rubble and Human Remains: Negotiating Culture and Violence in Post-Catastrophic Warsaw28 cited
  • 2011The Iconography of Punishment: Execution Prints and the Death Penalty25 cited
  • 2017Art as a Political Witness24 cited
  • 2012Minarets without Mosques: Limits to the Urban Politics of Neo-liberal Islamism23 cited
  • 2011The Right to Play Oneself: Looking Back on Documentary Film22 cited
  • 2017Representación claroscura: una exploración audiovisual y teórica de la representación del pasado en el cine documental18 cited
  • 2017“This painting is nice, but I wish it were more political.” Exploring the challenges and dilemmas of community art with LGBT refugees16 cited
  • 2009Visualising Technologies and the Ethics and Aesthetics of Screening Death15 cited
  • 2015Atrocity Photographs, Dignity, and Human Vulnerability15 cited

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  • 2010Modernism, Memory and Desire: Queer Cultural Production in Alison Bechdel’s Fun Home12 cited
  • 2017Trauma, affect and the documentary image: towards a nonrepresentational approach12 cited