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Nonprofit Enterprise in the Performing Arts
12 references·16 citing·40 second hop
Nonprofit Enterprise in the Performing Arts (1981)Nonprofit Enterprise in the Performing Ar…Toward a Theory of the Voluntary Nonprofit Sector in a Three-Sector Economy (1986)Toward a Theory of the Volunt…The Role of Nonprofit Enterprise (1980)The Role of Nonprofit Enterpr…Tax incentives and charitable contributions in the United States (1976)Tax incentives and charitable…Price, Quality and Quantity Regulation in Monopoly Situations (1976)Price, Quality and Quantity R…Monopoly, Quality, and Regulation (1975)Monopoly, Quality, and Regula…The Performing Arts: The Economic Dilemma (1973)The Performing Arts: The Econ…A Disneyland Dilemma: Two-Part Tariffs for a Mickey Mouse Monopoly (1971)A Disneyland Dilemma: Two-Par…Welfare Economics and Public Subsidies to the Arts* (1969)Welfare Economics and Public …TOWARD A THEORY OF NON-PROFIT INSTITUTIONS: AN ECONOMIC MODEL OF A HOSPITAL (1969)TOWARD A THEORY OF NON-PROFIT…The Economics of the American Theater. 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this work references cited by second hop

References

  • 1980The Role of Nonprofit Enterprise2,553 cited
  • 1975Monopoly, Quality, and Regulation1,071 cited
  • 1969TOWARD A THEORY OF NON-PROFIT INSTITUTIONS: AN ECONOMIC MODEL OF A HOSPITAL761 cited
  • 1971A Disneyland Dilemma: Two-Part Tariffs for a Mickey Mouse Monopoly590 cited
  • 1986Toward a Theory of the Voluntary Nonprofit Sector in a Three-Sector Economy408 cited
  • 1973The Performing Arts: The Economic Dilemma398 cited
  • 1968Performing Arts: The Economic Dilemma.357 cited
  • 1976Price, Quality and Quantity Regulation in Monopoly Situations221 cited
  • 1976Tax incentives and charitable contributions in the United States205 cited
  • 1969The Economics of the American Theater.94 cited
  • 1969Welfare Economics and Public Subsidies to the Arts*39 cited
  • 1965The Performing Arts: Problems and Prospects28 cited

Cited by

  • 2002Interpersonal trust and voluntary associations: examining three approaches224 cited
  • 1991THE ECONOMIC RATIONALE FOR THE “THIRD SECTOR”130 cited
  • 2020Entertainment Industry Economics88 cited
  • 1994

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The perception of quality and the demand for services
80 cited
  • 2012A latent class model of theatre demand65 cited
  • 2008Interpersonal and Inter‐organizational Networks in the Performing Arts: The Case of Project‐Based Organizations in the Live Music Industry59 cited
  • 1995Group size and the free-rider hypothesis: An examination of new evidence from churches40 cited
  • 2019Comparing financial transparency between for-profit and nonprofit suppliers of public goods: Evidence from microfinance36 cited
  • 2021Measures for the betterment of the labor market position of non-standard working regimes in the cultural and creative sector in the Netherlands28 cited
  • 2017Organizing artistic activities in a recurrent manner: (on the nature of) entrepreneurship in the performing arts23 cited
  • 2004State Arts Agencies 1965-2003: Whose Interests to Serve?21 cited
  • 2010The Economy of Music Programs and Organizations. A Micro Analysis and Typology19 cited
  • 2008Budgetary constraints and programmatic choices by Flemish subsidized theatres16 cited
  • 2002Creativity, Government and the Arts14 cited
  • 2018Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras14 cited
  • 2019Strings Attached to Arts Funding: Panel Assessments of Theater Organizations through the Lens of Agency Theory14 cited