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Scalar Shift in Popular Music
16 references·6 citing·28 second hop
Scalar Shift in Popular Music (2011)Scalar Shift in Popular MusicOn Aeolian Harmony in Contemporary Popular Music (2015)On Aeolian Harmony in Contemp…The Cadential IV in Rock (2011)The Cadential IV in RockA corpus analysis of rock harmony (2011)A corpus analysis of rock har…Triadic Modal and Pentatonic Patterns in Rock Music (2010)Triadic Modal and Pentatonic …Sectional Tonality and Sectional Centricity in Rock Music (2009)Sectional Tonality and Sectio…The melodic-harmonic ‘divorce’ in rock (2007)The melodic-harmonic ‘divorce…Fumbling Towards Ecstasy: Voice Leading, Tonal Structure, and the Th eme of Self-Realization in the Music of Sarah McLachlan (2007)Fumbling Towards Ecstasy: Voi…Expression in Pop-Rock Music (2007)Expression in Pop-Rock MusicMaking Sense of Rock’s Tonal Systems (2004)Making Sense of Rock’s Tonal …"Domestication" of Blue Notes in the Beatles' Songs (2003)"Domestication" of Blue Notes…What to Listen For in Rock (2002)What to Listen For in RockProgressive Rock, “Close to the Edge,” and the Boundaries of Style (1997)Progressive Rock, “Close to t…The so-called ‘flattened seventh’ in rock (1995)The so-called ‘flattened seve…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Patterns of harmony (1992)Patterns of harmonyOn Allen Forte's Theory of Chords (1974)On Allen Forte's Theory of Ch…The Logic of Six-Based Minor for Harmonic Analyses of Popular Music (2021)The Logic of Six-Based Minor …Plateau Loops and Hybrid Tonics in Recent Pop Music (2019)Plateau Loops and Hybrid Toni…Diatonic and Chromatic Tonicization in Rock Music (2019)Diatonic and Chromatic Tonici…Mediant Mixture and “Blue Notes” in Rock (2017)Mediant Mixture and “Blue Not…Rock Modulation and Narrative (2016)Rock Modulation and NarrativeScale Systems and Large-Scale Form in the Music of Yes (2015)Scale Systems and Large-Scale…Syncopation in rock: a perceptual perspective (1999)Music in the Galant Style (2007)Timbre as Differentiation in Indie Music (2012)Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves (2020)Teleology in Verse–Prechorus–Chorus Form, 1965–2020 (2022)On Popular Music (1941)Studying Popular Music (1990)Studying Popular Music (1991)The Structure, Function, and Genesis of the Prechorus (2011)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Chord Context and Harmonic Function in Tonal Music (2018)Studying Popular Music (1991)(Ac)cumulative Form in Pop-Rock Music (2004)Analysing popular music: theory, method and practice (1982)Formal Functions of Metric Dissonance in Rock Music (2014)Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast's "Mainstream" (1996) (2017)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Interpreting Popular Music (2000)Guitar Voicing in Pop-Rock Music (2011)Subverting the Verse–Chorus Paradigm (2013)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Tonal Ambiguity in Popular Music’s Axis Progressions (2017)A many-headed beast: progressive rock as European meta-genre (2010)Raga Rock: Popular Music and the Turn to the East in the 1960s (2017)Kick It (2020)
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References

  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2011A corpus analysis of rock harmony224 cited
  • 2010Triadic Modal and Pentatonic Patterns in Rock Music165 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2004Making Sense of Rock’s Tonal Systems140 cited
  • 2007The melodic-harmonic ‘divorce’ in rock114 cited
  • 2002What to Listen For in Rock100 cited
  • 1992Patterns of harmony81 cited
  • 1997Progressive Rock, “Close to the Edge,” and the Boundaries of Style52 cited
  • 2011The Cadential IV in Rock43 cited
  • 2003"Domestication" of Blue Notes in the Beatles' Songs39 cited
  • 2009Sectional Tonality and Sectional Centricity in Rock Music35 cited
  • 1974On Allen Forte's Theory of Chords33 cited
  • 2007Expression in Pop-Rock Music30 cited
  • 2015On Aeolian Harmony in Contemporary Popular Music25 cited
  • 2007Fumbling Towards Ecstasy: Voice Leading, Tonal Structure, and the Th eme of Self-Realization in the Music of Sarah McLachlan18 cited

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Cited by

  • 2019Plateau Loops and Hybrid Tonics in Recent Pop Music10 cited
  • 2021The Logic of Six-Based Minor for Harmonic Analyses of Popular Music8 cited
  • 2015Scale Systems and Large-Scale Form in the Music of Yes6 cited
  • 2019Diatonic and Chromatic Tonicization in Rock Music5 cited
  • 2017Mediant Mixture and “Blue Notes” in Rock4 cited
  • 2016Rock Modulation and Narrative4 cited