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The Cambridge Companion to the Musical
16 references·5 citing·30 second hop
The Cambridge Companion to the Musical (2001)The Cambridge Companion to the MusicalThe Oxford Handbook of The American Musical (2011)The Oxford Handbook of The Am…Changed for Good (2011)Changed for GoodIrving Berlin's "Blue Skies": Ethnic Affiliations and Musical Transformations (2000)Irving Berlin's "Blue Skies":…Demons of Disorder: Early Blackface Minstrels and Their World (1998)Demons of Disorder: Early Bla…The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock (1996)The beatles, the Brill buildi…Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil (1995)Kurt Weill, Modernism, and Po…Opera on the road: traveling opera troupes in the United States, 1825-60 (1994)Opera on the road: traveling …Who Put the Rainbow in The Wizard of Oz? (1993)Who Put the Rainbow in The Wi…The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)The Broadway Canon from Show …Black Musical Theatre: From Coontown to Dreamgirls (1990)Black Musical Theatre: From C…America's Musical Stage: Two Hundred Years of Musical Theatre (1988)America's Musical Stage: Two …The Theatre Guild Production of "Porgy and Bess" (1987)The Theatre Guild Production …The New Grove Dictionary of American Music (1987)The New Grove Dictionary of A…Action Music in American Pantomime and Melodrama, 1730-1913 (1984)Action Music in American Pant…American Popular Stage Music, 1860-1880 (1981)American Popular Stage Music,…American Operetta from H.M.S. Pinafore to Sweeney Todd (1981)American Operetta from H.M.S.…Musical Theater(s) (2015)Musical Theater(s)“Spectacular Opacities”: The Hyers Sisters’ Performances of Respectability and Resistance (2012)“Spectacular Opacities”: The …To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America (2008)To the Opera House? The Trial…"Defying Gravity": Queer Conventions in the Musical Wicked (2008)"Defying Gravity": Queer Conv…“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)“WE'LL ALWAYS BE BOSOM BUDDIE…Against Interpretation and Other Essays (1966)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)The Act of Reading: A Theory of Aesthetic Response (1979)The Cambridge Companion to Film Music (2016)Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical (2017)Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance (2018)American Popular Song: The Great Innovators, 1900–1950 (1972)The seventh stream: the emergence of rocknroll in American popular music (1993)The American popular ballad of the Golden Era, 1924-1950 (1996)Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900–1920 (2001)Why do they start to sing and dance all of a sudden? Examining the film musical (2001)The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge History of American Theatre (1998)Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film1 (2011)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess (2001)“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s (2006)Drama, Theatre, and Identity in the American New Republic (2005)Liszt and the Symphonic Poem (2017)American Musical Theatre before the Twentieth Century (2017)Implicit Fandom in the Fields of Theatre, Art, and Literature (2018)The Cambridge Companion to American Theatre since 1945 (2021)Art music from 1800 to 1860 (1998)The Cambridge History of American Theatre (1999)The Cambridge companion to the musical (2003)Italian operatic fantasies in Latin America (2012)Carmen Abroad (2020)The Cambridge History of American Music (1998)Bulldaggers, Pansies, and Chocolate Babies (2010)The origins of the entertainment industry: the operetta in late nineteenth-century Italy (2006)
this work references cited by second hop

References

  • 1998Demons of Disorder: Early Blackface Minstrels and Their World273 cited
  • 1990Black Musical Theatre: From Coontown to Dreamgirls162 cited
  • 2011The Oxford Handbook of The American Musical139 cited
  • 2011Changed for Good113 cited
  • 1981American Popular Stage Music, 1860-1880108 cited
  • 1994Opera on the road: traveling opera troupes in the United States, 1825-60107 cited
  • 1984Action Music in American Pantomime and Melodrama, 1730-1913106 cited
  • 1988America's Musical Stage: Two Hundred Years of Musical Theatre98 cited
  • 2000Irving Berlin's "Blue Skies": Ethnic Affiliations and Musical Transformations96 cited
  • 1996The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock93 cited
  • 1993The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal84 cited
  • 1987The Theatre Guild Production of "Porgy and Bess"83 cited
  • 1987The New Grove Dictionary of American Music75 cited
  • 1981American Operetta from H.M.S. Pinafore to Sweeney Todd67 cited
  • 1995Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil65 cited

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1993
Who Put the Rainbow in The Wizard of Oz?
64 cited

Cited by

  • 2008"Defying Gravity": Queer Conventions in the Musical Wicked21 cited
  • 2006“WE'LL ALWAYS BE BOSOM BUDDIES”15 cited
  • 2008To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America6 cited
  • 2012“Spectacular Opacities”: The Hyers Sisters’ Performances of Respectability and Resistance4 cited
  • 2015Musical Theater(s)3 cited