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'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice
16 references·0 citing·31 second hop
'A harmony or concord of several and diverse voices': Autonomy in 17th-Century German music theory and practice (2011)'A harmony or concord of several and dive…38. After Virtue: A Study in Moral Theory (2015)38. After Virtue: A Study in …Rousseau, Jean-Jacques (2004)Rousseau, Jean-JacquesTheories of fugue from the age of Josquin to the age of Bach (2001)Theories of fugue from the ag…Critique of the Power of Judgment (2000)Critique of the Power of Judg…Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times (1999)Classical Rhetoric and Its Ch…Musica Poetica: Musical-Rhetorical Figures in German Baroque Music (1998)Musica Poetica: Musical-Rheto…From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)From Maker to Composer: Impro…The republic of letters: a cultural history of the French Enlightenment (1995)The republic of letters: a cu…Gender and the Musical Canon (1994)Gender and the Musical CanonThe Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…On Compositional Process in the Fifteenth Century (1987)On Compositional Process in t…Theory of the Avant-Garde (1985)Theory of the Avant-GardePraecepta der musicalischen Composition (1955)Praecepta der musicalischen C…Europäische Literatur und lateinisches Mittelalter (1947)Europäische Literatur und lat…Horace, Satires, Epistles and Ars poetica (1929)Horace, Satires, Epistles and…Satires, Epistles and Ars poetica (1926)Satires, Epistles and Ars poe…Improvisation: Its Nature And Practice In Music (1980):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Playing with History (2002)Playing with history: the historical approach to musical performance (2003)Virtuosity and the Musical Work (2003)Logic, Metaphysics, and the Natural Sociability of Mankind (2006)Pierre Gassendi and the birth of early modern philosophy (2007)Humor as Cognitive Play (2009)Stories of Experience and Narrative Inquiry (1990)What Is Agency? (1998)The ethics of algorithms: Mapping the debate (2016)Critical pedagogy and predatory culture (1994)T. S. Eliot and the Cultural Divide (1995)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)A Philosophy of Political Myth (2007)The Case of Blackness (2009)Senses of place: architectural design for the multisensory mind (2020)Homo Sociologicus: Ein Versuch zur Geschichte, Bedeutung und Kritik der Kategorie der sozialen Rolle (1973)The Trilingual England of Geoffrey Chaucer (1994)Hyperbole in English: A Corpus-based Study of Exaggeration (2010)Rhetorical hybrids: Fusions of generic elements (1982)Implicit writing beliefs and their relation to writing quality (2004)What Can Automation Tell Us About Agency? (2007)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Gender and the Public/Private Distinction in the Eighteenth Century: Some Questions about Evidence and Analytic Procedure (1995)The Cambridge History of Eighteenth-Century Political Thought (2006)Auguste Comte and Positivism (2019)The Constitutional Structure of International Society and the Nature of Fundamental Institutions (1997)Accountability and Abuses of Power in World Politics (2005)Twenty Theses on Politics (2008)
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References

  • 201538. After Virtue: A Study in Moral Theory3,325 cited
  • 2000Critique of the Power of Judgment1,260 cited
  • 1985Theory of the Avant-Garde744 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1999Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times509 cited
  • 2004Rousseau, Jean-Jacques504 cited
  • 1995The republic of letters: a cultural history of the French Enlightenment483 cited
  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1947Europäische Literatur und lateinisches Mittelalter257 cited
  • 1926Satires, Epistles and Ars poetica248 cited
  • 1998Musica Poetica: Musical-Rhetorical Figures in German Baroque Music231 cited
  • 1994Gender and the Musical Canon225 cited
  • 1929Horace, Satires, Epistles and Ars poetica124 cited
  • 1987On Compositional Process in the Fifteenth Century119 cited
  • 2001Theories of fugue from the age of Josquin to the age of Bach94 cited
  • 1955Praecepta der musicalischen Composition

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