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Cited by

• 2008Escape Routes: Control and Subversion in the Twenty-First Century401 cited
• 2005Diagramming Practice and Performance136 cited
• 2016Time and the Rhythms of Emancipatory Education94 cited
• 2009Transatlantic Traffic in Expressive Movement: From Delsarte and Dalcroze to Margaret H'Doubler and Rudolf Laban75 cited
• 2007The Heart Machine: "Rhythm" and Body in Weimar Film and Fritz Lang's Metropolis51 cited
• 2005To Stockholm, with Love: The Critical Reception of Josephine Baker, 1927-3534 cited
• 2009“Berlin … Your Dance Partner Is Death”31 cited
• 2013Wyndham Lewis's ‘Very Bad Thing’: Jazz, Inter-War Culture, and The Apes of God25 cited
• 2010Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film24 cited
• 2006Authenticity and Asceticism: Discourse and Performance in Nude Culture and Health Reform in Belgium, 1920-194024 cited
• 2014Tapping the Plate or Hitting the Bottle: Sound and Movement in Self-accompanied and Musician-accompanied Dance22 cited
• 2014Rhythmanalysis in Gymnastics and Dance: Rudolf Bode and Rudolf Laban18 cited
• 2004“Regaining what Mankind has Lost through Civilisation:” Early Nudism and Ambivalent Moderns15 cited
• 2008Petrified? Some Thoughts on Practical Research and Dance Historiography