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The Middle English Harrowing of Hell and Gospel of Nicodemus
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Cited by

  • 2019Medieval Affect, Feeling, and Emotion72 cited
  • 2017Shaping the Archive in Late Medieval England: History, Poetry, and Performance24 cited
  • 2023Science and Information17 cited
  • 2013Richard Guldeford's Pilgrimage: Piety and Cultural Change in Late Fifteenth‐ and Early Sixteenth‐Century England16 cited
  • 2014Hesychasm and Art: The Appearance of New Iconographic Trends in Byzantine and Slavic Lands in the 14th and 15th Centuries16 cited
  • 1966The Horse and Rider Figure in Chaucer's Works10 cited
  • 2019Becoming One Flesh, Inhabiting Two Genders: Ugly Feelings and Blocked Emotion in theWife of Bath’s Prologue and Tale9 cited
  • 2019Weeping Like a Beaten Child: Figurative Language and the Emotions in Chaucer and Malory5 cited
  • 2013The Performance of Power in Medieval English Households: the Case of the Harrowing of Hell4 cited
  • 2023Translation into English4 cited
  • 1988The Narrator within the Performance: Problems with Two Medieval "Plays"3 cited
  • 2023Love Visions and Love Poetry2 cited
  • 2019Accounting for Affect in theReeve’s Tale2 cited
  • 1991Type, icon and number in Marvell's Bermudas2 cited

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