SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1
15 references·8 citing·30 second hop
Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1 (2012)Instrumental Gesture in Chopin’s Étude in…Embodying Music (2011)Embodying MusicBeing Alive (2011)Being AliveBeing alive essays on movement, knowledge and description (2011)Being alive essays on movemen…Out of our heads: why you are not your brain, and other lessons from the biology of consciousness (2009)Out of our heads: why you are…Agency and Embodiment (2009)Agency and EmbodimentQualitative insights into the use of expressive body movement in solo piano performance: a case study approach (2007)Qualitative insights into the…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…Modelling the Groove: Conceptual Structure and Popular Music (2004)Modelling the Groove: Concept…Body Movement (2002)Body MovementThe feeling of what happens: body and emotion in the making of consciousness (2000)The feeling of what happens: …Somaesthetics: A Disciplinary Proposal (1999)Somaesthetics: A Disciplinary…Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Bodily Hearing: Physiological…Feminist Theory, Music Theory, and the Mind/Body Problem (1994)Feminist Theory, Music Theory…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…Ways of the Hand: A Rewritten Account (1978)Ways of the Hand: A Rewritten…Violin Fingerboard Space (2024)Violin Fingerboard SpaceGestural Perspectives on Popular-Music Performance (2022)Gestural Perspectives on Popu…Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II (2021)Corporeal Musical Structure: …A Transformational Approach to Gesture in Shō Performance (2020)A Transformational Approach t…Layers and Elasticity in the Rhythm of Noh Songs (2019)Layers and Elasticity in the …Enacting Musical Time (2019)Enacting Musical TimeAn Approach to Musical Rhythm in Agbadza (2019)An Approach to Musical Rhythm…Listeners’ Bodies in Music Analysis (2015)Listeners’ Bodies in Music An…Saying Something: Jazz Improvisation and Interaction (1999)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Meaning construction in verbomusical environments: Conceptual disintegration and metonymy (2014)A System for Describing Vocal Timbre in Popular Song (2016)Loving Music Till It Hurts (2019)Gender Trouble: Feminism and the Subversion of Identity (1991)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Action and Agency Revisited (2013)The Body: Toward an Eastern Mind-Body Theory. (1989)Still Life in Nearly Present Time: The Object of Nature (2000)Proprioception as an Aesthetic Sense (2006)Self-Transformations (2007)Toward an Ecology of Materials (2010)The co-operative, transformative organization of human action and knowledge (2012)Degrowth, postdevelopment, and transitions: a preliminary conversation (2015)Applying Intelligence to the Reflexes: Embodied Skills and Habits between Dreyfus and Descartes (2011)Theorizing in sociology and social science: turning to the context of discovery (2011)Beyond Constraining and Enabling: Toward New Microfoundations for Institutional Theory (2017)Foundations of evolutionary psychology (2010)Putting Habitus in its Place: Rejoinder to the Symposium (2014)Words as social tools: Language, sociality and inner grounding in abstract concepts (2018)Philosophical conceptions of the self: implications for cognitive science (2000)Empathy: Its ultimate and proximate bases (2002)Self-referential processing in our brain—A meta-analysis of imaging studies on the self (2006)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)A perceived moral agency scale: Development and validation of a metric for humans and social machines (2018)Mothers and researchers in the making: Negotiating ‘new’ motherhood within the ‘new’ academia (2018)AI as a moral crumple zone: The effects of AI-mediated communication on attribution and trust (2019)That’s enough about ethnography! (2014)
this work references cited by second hop

References

  • 2000The feeling of what happens: body and emotion in the making of consciousness5,997 cited
  • 2011Being Alive2,883 cited
  • 2011Being alive essays on movement, knowledge and description2,302 cited
  • 2009Out of our heads: why you are not your brain, and other lessons from the biology of consciousness431 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert426 cited
  • 1994Feminist Theory, Music Theory, and the Mind/Body Problem324 cited
  • 2009Agency and Embodiment303 cited
  • 1999Somaesthetics: A Disciplinary Proposal243 cited
  • 1978Ways of the Hand: A Rewritten Account215 cited
  • 2011Embodying Music144 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1999Bodily Hearing: Physiological Metaphors and Musical Understanding133 cited
  • 2002Body Movement130 cited
  • 2007Qualitative insights into the use of expressive body movement in solo piano performance: a case study approach121 cited
  • 2004Modelling the Groove: Conceptual Structure and Popular Music111 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2019Enacting Musical Time68 cited
  • 2015Listeners’ Bodies in Music Analysis22 cited
  • 2020A Transformational Approach to Gesture in Shō Performance20 cited
  • 2019Layers and Elasticity in the Rhythm of Noh Songs19 cited
  • 2022Gestural Perspectives on Popular-Music Performance18 cited
  • 2019An Approach to Musical Rhythm in Agbadza14 cited
  • 2024Violin Fingerboard Space4 cited
  • 2021Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II4 cited