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Las pinturas rupestres de Cova Remigia (Ares del Maeste, Castellón)
0 references·3 citing·13 second hop
Las pinturas rupestres de Cova Remigia (Ares del Maeste, Castellón) (1989)Las pinturas rupestres de Cova Remigia (A…Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)Documenting the light sensiti…An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art (2014)An approximation to the study…Mujeres, vida social y violencia. Política e ideología en el arte rupestre levantino (2006)Mujeres, vida social y violen…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art (2010)The Archaeology of the Iberian Peninsula: From the Paleolithic to the Bronze Age (2019)Vigilar y castigar : nacimiento de la prisión (1979)La dominación masculina (1996)La sociedad del espectáculo (1999)Gender Inequalities in Neolithic Iberia: A Multi-Proxy Approach (2019)An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France (1999)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Analysis of rock art painting and technology of Palaeolithic painters (2003)Violence in Neolithic Iberia: new readings of Levantine rock art (2015)Proteomic and metagenomic insights into prehistoric Spanish Levantine Rock Art (2018)First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospects (2019)
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  • 2014An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art43 cited
  • 2015Documenting the light sensitivity of Spanish Levantine rock art paintings21 cited
  • 2006Mujeres, vida social y violencia. Política e ideología en el arte rupestre levantino2 cited

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