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Les séries télévisées et l’esthétique carnavalesque
7 references·0 citing·18 second hop
Les séries télévisées et l’esthétique carnavalesque (2013)Les séries télévisées et l’esthétique car…David Kelley et la politique de la complicité (2011)David Kelley et la politique …Para-television and discourses of distinction: The culture of production at HBO (2009)Para-television and discourse…From Traveling Show to Vaudeville (2007)From Traveling Show to Vaudev…Buffy asFemme Fatale (2007)Buffy asFemme FataleFrom traveling show to vaudeville: theatrical spectacle in America, 1830-1910 (2004)From traveling show to vaudev…Prime time, prime movers: from I Love Lucy to L.A. Law--America's greatest TV shows and the people who created them (1992)Prime time, prime movers: fro…Mikhail Bakhtine: L'oeuvre de François Rabelais et la Culture Populaire au Moyen-âge et sous la Renaissance. Coll. Bibliothèque des Idées, Gallimard, Paris (1973)Mikhail Bakhtine: L'oeuvre de…Centuries of Childhood. A Social History of Family Life (1963)Visual Pleasure and Narrative Cinema (1975)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Sexualized Branded Entertainment and the Male Consumer Gaze (2014)Popular Communication in the Contemporary Age (2001)Art for Art's Sake or Selling Up? (2008)The Horror of “Honey, I’m Home!”: The Perils of Postwar Family Love in the Domestic Sitcom (2011)Faire des bonds fait-il voler l’âme ? (2003)Présentation. L’interrègne : l’héritage des bonimenteurs (2009)Brigitte Bardot, ou le « problème » de la comédie au féminin (2012)Real Folks (2011)A Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust (2012)Women Boxers: Actresses to Athletes – The Role of Vaudeville in Early Women's Boxing in the USA (2014)Jewish Displacement of Irish Americans in Vaudeville: The Role of Religious and Cultural Values (2013)Copyright and the Value of Performance, 1770–1911 (2018)A return to form? Postmasculinist television drama and tragic heroes in the wake ofThe Sopranos (2012)TV Got Better: Netflix's Original Programming Strategies and Binge Viewing (2015)De la televisión de pago al video bajo demanda. Análisis de la primera temporada de la estrategia de producción original de ficción de Movistar+ (2018)
this work references cited by second hop

References

  • 1973Mikhail Bakhtine: L'oeuvre de François Rabelais et la Culture Populaire au Moyen-âge et sous la Renaissance. Coll. Bibliothèque des Idées, Gallimard, Paris96 cited
  • 2009Para-television and discourses of distinction: The culture of production at HBO77 cited
  • 2004From traveling show to vaudeville: theatrical spectacle in America, 1830-191032 cited
  • 2007From Traveling Show to Vaudeville30 cited
  • 1992Prime time, prime movers: from I Love Lucy to L.A. Law--America's greatest TV shows and the people who created them27 cited
  • 2011David Kelley et la politique de la complicité5 cited
  • 2007Buffy asFemme Fatale4 cited

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