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Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre · Study

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ArticleArabic Hip Hop: Claims of Authenticity and Identity of a New Genre

Usama Kahf2007

Article2007

Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre

53 citations·0/0 files stored·Journal of Popular Music Studies

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Music History and Culture Asian Culture and Media Studies Cultural Identity and Representation

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References

1993White Women, Race Matters 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation 1998Constructing Co-Cultural Theory: An Explication of Culture, Power, and Communication 1995Black Noise: Rap Music and Black Culture in Contemporary America.2002Language, Discourse and Power in African American Culture 2002Publics and counterpublics (abbreviated version)2000‘Represent’: race, space and place in rap music 1999Hip hop am Main: the localization of rap music and hip hop culture

Cited by

2020Parenting for a Digital Future 2011Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music 2014Hip Hop Studies in Black 2011New-school brand creation and creativity – Lessons from Hip Hop and the global branded generation 2020The Aesthetics of Global Protest 2013From Appropriation to Translation: Localizing Rap Music to Finland

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Details

Year2007

Typearticle

Published2007-12-06

VenueJournal of Popular Music Studies

ISSN-L1524-2226

Languageen

Citations53

Files0 public / 0

ShelfMusic History and Culture

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doi10.1111/j.1533-1598.2007.00133.x

openalex_workW1622708385

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