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Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre
12 references·16 citing·46 second hop
Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre (2007)Arabic Hip Hop: Claims of Authenticity an…STREET-CONSCIOUS COPULA VARIATION IN THE HIP HOP NATION (2002)STREET-CONSCIOUS COPULA VARIA…Publics and counterpublics (abbreviated version) (2002)Publics and counterpublics (a…Language, Discourse and Power in African American Culture (2002)Language, Discourse and Power…‘Represent’: race, space and place in rap music (2000)‘Represent’: race, space and …Hip hop am Main: the localization of rap music and hip hop culture (1999)Hip hop am Main: the localiza…Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…From the margins to mainstream: the political power of hip-hop (1998)From the margins to mainstrea…Constructing Co-Cultural Theory: An Explication of Culture, Power, and Communication (1998)Constructing Co-Cultural Theo…Spectacular vernaculars: hip-hop and the politics of postmodernism (1996)Spectacular vernaculars: hip-…Spectacular Vernaculars (1995)Spectacular VernacularsBlack Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…White Women, Race Matters (1993)White Women, Race MattersReconfiguring “Heritage hip-hop” From the scenes: Rightful youth rebellion and localised authenticity in the Huxiang Flow (2024)Reconfiguring “Heritage hip-h…Rap, Islam and Jihadi Cool: The attractions of the Western jihadi subculture (2021)Rap, Islam and Jihadi Cool: T…Tunisian hip-hop music discourse: Linguistic, socio-cultural and political movements from the local to the global or vice versa? A case study of Balti's songs (2020)Tunisian hip-hop music discou…The Aesthetics of Global Protest (2020)The Aesthetics of Global Prot…Rap and Mizoued Music: Claiming a Space for Dissent and Protest in Post-Arab Spring Tunisia (2020)Rap and Mizoued Music: Claimi…Parenting for a Digital Future (2020)Parenting for a Digital FutureThe language of hip hop and rap in Tunisia: socio-cultural mirror, authenticity tool, and herald of change (2019)The language of hip hop and r…Rap it up, share it up: Identity politics of youth “social” movement in Moroccan online rap music (2019)Rap it up, share it up: Ident…Music Videos as Protest Communication: (2019)Music Videos as Protest Commu…The Scene : A Conceptual Template for an Interactionist Approach to Contemporary Music (2014)The Scene : A Conceptual Temp…Performing the self : rappers, urban space and identity in Dar es Salaam (2014)Performing the self : rappers…Hip Hop Studies in Black (2014)Hip Hop Studies in BlackFrom Appropriation to Translation: Localizing Rap Music to Finland (2013)From Appropriation to Transla…Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Pop-Rock Music as Expressive …New-school brand creation and creativity – Lessons from Hip Hop and the global branded generation (2011)New-school brand creation and…Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene (2010)Rap on ‘l’Avenue’; Islam, aes…How To Do Things With Words (1975)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Language as Culture in U.S. Anthropology (2003)Straddling Boundaries: Identity, Culture, and School (2006)Learning as a cultural process: achieving equity through diversity (2014)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Club cultures: music, media and subcultural capital (1996)In Search of Authenticity* (2005)The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity (2007)The Concept of Authenticity: What It Means to Consumers (2021)On Record: Rock, Pop and the Written Word (1990)The Black Atlantic: Modernity and Double Consciousness (1994)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Defining Globalisation (2007)The post-subcultural turn: some reflections 10 years on (2011)Lenin and Philosophy and Other Essays (1971)In Other Words (1990)Code and Other Laws of Cyberspace (1999)Reconceptualizing Rhetorical Activism in Contemporary Feminist Contexts (2006)“Communities of strangerhoods?”: Internet, mobile phones and the changing nature of radio cultures in South Africa (2012)“Where I can be myself … where I can speak my mind” : Networked counterpublics in a polymedia environment (2014)It's Not About a Salary...: Rap, Race, and Resistance in Los Angeles (1995)Celebrity Politicians: Popular Culture and Political Representation (2004)Music and Ethical Responsibility (2014)A Ratchet Lens: Black Queer Youth, Agency, Hip Hop, and the Black Ratchet Imagination (2017)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Communities of practice learning, meaning, and identity (1999)Bidirectional associations between screen time and children’s externalizing and internalizing behaviors (2021)From the Cradle to the Web: The Growth of “Sharenting”—A Scientometric Perspective (2022)Do parental control tools fulfil family expectations for child protection? A rapid evidence review of the contexts and outcomes of use (2023)The Coding Manual for Qualitative Researchers (2025)Thinking Dialectically About Culture and Communication (1999)Stigma Management Communication: A Theory and Agenda for Applied Research on How Individuals Manage Moments of Stigmatized Identity (2010)Queer identity online: Informal learning and teaching experiences of LGBTQ individuals on social media (2016)It's All In the Family: Intersections of Gender, Race, and Nation (1998)Practicing Intersectionality in Sociological Research: A Critical Analysis of Inclusions, Interactions, and Institutions in the Study of Inequalities (2010)White Identity Politics (2019)The Global Impact of Gangs (2005)Controversial Rap Themes, Gender Portrayals and Skin Tone Distortion: A Content Analysis of Rap Music Videos (2009)“White and Nerdy”: Computers, Race, and the Nerd Stereotype (2011)Language ecology and endangerment (1999)The Cambridge Handbook of Endangered Languages (1999)African American English (2002)
this work references cited by second hop

References

  • 1993White Women, Race Matters3,308 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 1998Constructing Co-Cultural Theory: An Explication of Culture, Power, and Communication352 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.306 cited
  • 2002Language, Discourse and Power in African American Culture285 cited
  • 2002Publics and counterpublics (abbreviated version)280 cited
  • 2000‘Represent’: race, space and place in rap music216 cited
  • 1999Hip hop am Main: the localization of rap music and hip hop culture160 cited
  • 1995Spectacular Vernaculars121 cited
  • 1996Spectacular vernaculars: hip-hop and the politics of postmodernism117 cited
  • 2002STREET-CONSCIOUS COPULA VARIATION IN THE HIP HOP NATION112 cited
  • 1998From the margins to mainstream: the political power of hip-hop78 cited

Cited by

  • 2020Parenting for a Digital Future477 cited
  • 2011Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music42 cited
  • 2014Hip Hop Studies in Black33 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2011New-school brand creation and creativity – Lessons from Hip Hop and the global branded generation21 cited
  • 2013From Appropriation to Translation: Localizing Rap Music to Finland19 cited
  • 2020The Aesthetics of Global Protest19 cited
  • 2021Rap, Islam and Jihadi Cool: The attractions of the Western jihadi subculture18 cited
  • 2019Rap it up, share it up: Identity politics of youth “social” movement in Moroccan online rap music15 cited
  • 2010Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene13 cited
  • 2020Tunisian hip-hop music discourse: Linguistic, socio-cultural and political movements from the local to the global or vice versa? A case study of Balti's songs13 cited
  • 2019The language of hip hop and rap in Tunisia: socio-cultural mirror, authenticity tool, and herald of change12 cited
  • 2020Rap and Mizoued Music: Claiming a Space for Dissent and Protest in Post-Arab Spring Tunisia9 cited
  • 2019Music Videos as Protest Communication:8 cited
  • 2014The Scene : A Conceptual Template for an Interactionist Approach to Contemporary Music6 cited
  • 2024Reconfiguring “Heritage hip-hop” From the scenes: Rightful youth rebellion and localised authenticity in the Huxiang Flow5 cited
  • 2014Performing the self : rappers, urban space and identity in Dar es Salaam5 cited