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Shedding Scales: Understanding Intervals in Different Musical Contexts
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Shedding Scales: Understanding Intervals in Different Musical Contexts (2016)Shedding Scales: Understanding Intervals …An Introduction to the Music of Milton Babbitt (1994)An Introduction to the Music …Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 25 (1992)Mosaic Polyphony: Formal Bala…Cognitive constraints on compositional systems (1992)Cognitive constraints on comp…Maximally Even Sets (1991)Maximally Even SetsComposition with Pitch Classes: A Theory of Compositional Design (1990)Composition with Pitch Classe…Aspects of Well-Formed Scales (1989)Aspects of Well-Formed ScalesGeneralized Musical Intervals and Transformations (1988)Generalized Musical Intervals…The Body in the Mind (1987)The Body in the MindVariety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…Tonal implications of the diatonic set (1981)Tonal implications of the dia…Basic atonal theory (1980)Basic atonal theoryOn Milton Babbitt's String Quartet No. 2 (1976)On Milton Babbitt's String Qu…The Structure of Atonal Music (1973)The Structure of Atonal MusicApproximate Set Theory (2023)Approximate Set TheoryThe magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)ASPECTS OF THE THEORY OF SYNTAX (1964)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Epistemologies of music theory (2002)Moving Beyond Motion: Metaphors for Changing Sound (2003)The possibility of impossible cultures (2009)The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Music theory and mathematics (2002)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Art music from 1800 to 1860 (1998)Cross-Type Transformations and the Path Consistency Condition (2007)Formal Structures in Post-Tonal Music (2015)Stories of Experience and Narrative Inquiry (1990)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Empathy: Its ultimate and proximate bases (2002)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Atonal prolongational structure (1989)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Scale Networks and Debussy (2004)The distance geometry of music (2008)Musical Scales and the Generalized Circle of Fifths (1986)Supplement to the Theory of Augmented-Sixth Chords (1995)
this work references cited by second hop

References

  • 1987The Body in the Mind6,478 cited
  • 1973The Structure of Atonal Music501 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1991Maximally Even Sets203 cited
  • 1989Aspects of Well-Formed Scales170 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 1992Cognitive constraints on compositional systems165 cited
  • 1980Basic atonal theory160 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 1994An Introduction to the Music of Milton Babbitt111 cited
  • 1990Composition with Pitch Classes: A Theory of Compositional Design91 cited
  • 1992Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 2516 cited
  • 1976On Milton Babbitt's String Quartet No. 26 cited

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  • 2023Approximate Set Theory2 cited

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