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Crossing Over in the 21st Century: New Perspectives on Classical Music Through the Work of Mark O’Connor, Edgar Meyer, and Béla Fleck
16 references·0 citing·40 second hop
Crossing Over in the 21st Century: New Perspectives on Classical Music Through the Work of Mark O’Connor, Edgar Meyer, and Béla Fleck (2005)Crossing Over in the 21st Century: New Pe…The Interpretation of Cultures (2017)The Interpretation of CulturesEthnographic Interview (2017)Ethnographic InterviewToward a Theory of Gender (2013)Toward a Theory of GenderMusicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…Popular Music in Theory: An Introduction (1999)Popular Music in Theory: An I…Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Distinction in America? Recovering Bourdieu's theory of tastes from its critics (1997)Distinction in America? Recov…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Common Culture: Symbolic Work At Play In The Everyday Cultures Of The Young (1990)Common Culture: Symbolic Work…Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Highbrow/lowbrow: the emergen…Music talent, and performance: a conservatory cultural system (1988)Music talent, and performance…Music-Society-Education (1985)Music-Society-EducationOn Popular Music (1941)On Popular MusicMarxism and the philosophy of language (1973)The Body in the Mind (1987)Subculture: The Meaning of Style (1995)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Reproduction in Education, Society and Culture (1978)Reproduction in Education, Society and Culture (1979)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Culture, Class, and Connections (1996)Deliberating in the Real World (2006)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The History of Sexuality (1976)Postmodernism, or, The cultural logic of late capitalism (1991)After Ant: Complexity, Naming and Topology (1999)Discourse Analysis as Theory and Method (2002)Methodology of the Oppressed (2010)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)Qualitative research: Methods in the social sciences (2006)Purposeful Sampling for Qualitative Data Collection and Analysis in Mixed Method Implementation Research (2013)Sample Size in Qualitative Interview Studies (2015)Health inequalities in the early years: Is there equalisation in youth? (1997)Hanging Out, Messing Around, and Geeking Out: Kids Living and Learning with New Media (2009)A Typology of Youth Participation and Empowerment for Child and Adolescent Health Promotion (2010)Culture in Action: Symbols and Strategies (1986)Managing Legitimacy: Strategic and Institutional Approaches (1995)Framing Processes and Social Movements: An Overview and Assessment (2000)Changing Highbrow Taste: From Snob to Omnivore (1996)Problems in comparative research: The example of omnivorousness (2005)Handbook of Emotions (1993)
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References

  • 2017The Interpretation of Cultures16,500 cited
  • 2017Ethnographic Interview8,276 cited
  • 2013Toward a Theory of Gender2,602 cited
  • 1996Club cultures: music, media and subcultural capital1,948 cited
  • 2000Musicking: The Meanings of Performing and Listening1,337 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music944 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality830 cited
  • 1990Common Culture: Symbolic Work At Play In The Everyday Cultures Of The Young711 cited
  • 1997Distinction in America? Recovering Bourdieu's theory of tastes from its critics444 cited
  • 1998Global Pop: World Music, World Markets404 cited
  • 1941On Popular Music401 cited
  • 1988Music talent, and performance: a conservatory cultural system375 cited
  • 1985Music-Society-Education294 cited
  • 1999Popular Music in Theory: An Introduction

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