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Attendance and Public Participation in the Performing Arts: A Review of the Empirical Literature
16 references·16 citing·38 second hopsampled
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On the Concept of Health C…De gustibus non est disputandum (2010)De gustibus non est disputand…A Handbook of Cultural Economics (2003)A Handbook of Cultural Econom…The Economics of Art and Culture (2001)The Economics of Art and Cult…Economics and Culture (2000)Economics and CultureThe Production and Consumption of the Arts: A View of Cultural Economics (1994)The Production and Consumptio…Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…A Theory of Rational Addiction (1988)A Theory of Rational AddictionThe Role of Nonprofit Enterprise (1980)The Role of Nonprofit Enterpr…The Economics of Information (1976)The Economics of InformationOn the New Theory of Consumer Behavior (1973)On the New Theory of Consumer…The Harried Leisure Class (1970)The Harried Leisure ClassHabit Formation and Dynamic Demand Functions (1970)Habit Formation and Dynamic D…Economics of Outdoor Recreation. 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References

  • 1965A Theory of the Allocation of Time10,338 cited
  • 1961The Economics of Information5,253 cited
  • 20171. On the Concept of Health Capital and the Demand for Health3,993 cited
  • 1988A Theory of Rational Addiction3,870 cited
  • 1976The Economics of Information3,287 cited
  • 1980The Role of Nonprofit Enterprise2,553 cited
  • 2010De gustibus non est disputandum2,282 cited
  • 2000Economics and Culture1,326 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 1969Economics of Outdoor Recreation.1,091 cited
  • 1970Habit Formation and Dynamic Demand Functions827 cited
  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 2003A Handbook of Cultural Economics637 cited
  • 1970The Harried Leisure Class573 cited
  • 1973On the New Theory of Consumer Behavior492 cited
  • 2001The Economics of Art and Culture378 cited

Cited by

  • 2007

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A discrete choice model of consumption of cultural goods: the case of music
94 cited
  • n.d.Der Einfluss ‘Zentraler Orte’ auf räumliche Ausgabenmuster: eine empirische Studie zu den kommunalen Ausgaben für Kultur in Flandern72 cited
  • 2011Performing Arts Entrepreneurship: Toward a Research Agenda66 cited
  • 2013Forecasting accuracy of behavioural models for participation in the arts62 cited
  • 2019Playing a play: online and live performing arts consumers profiles and the role of supply constraints41 cited
  • 2011Motivational and Demographic Factors for Performing Arts Attendance Across Place and Form36 cited
  • 2015Participation in cultural activities: specification issues29 cited
  • 2007The impact of ‘central places’ on spatial spending patterns: evidence from Flemish local government cultural expenditures21 cited
  • 2021Análisis económico de la demanda de un festival cultural21 cited
  • 2010Economía de la cultura. Una nueva área de especialización de la economía19 cited
  • 2021Similar but special: an econometric analysis of live performing arts attendance in mainland China17 cited
  • 2015Factores que limitan la participación cultural. Una mirada desde la economía de la cultura16 cited
  • 2012The Revenue Gains from Multi‐Tier Ticket Pricing: Evidence from Pop Music Concerts16 cited
  • 2011Determinants of performing arts attendance in Taiwan: a multivariate probit analysis15 cited
  • 2022The “Great Lockdown” and cultural consumption in the UK14 cited
  • 2009The demand for creative arts in regional Victoria, Australia13 cited