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Virtuosity, the Violin, the Devil ... What Really Made Paganini "Demonic"?
8 references·2 citing·28 second hop
Virtuosity, the Violin, the Devil ... What Really Made Paganini "Demonic"? (2020)Virtuosity, the Violin, the Devil ... Wha…The sonic self: musical subjectivity and signification (2001)The sonic self: musical subje…Mad Loves: Women and Music in Offenbach's "Les Contes d'Hoffmann" (2001)Mad Loves: Women and Music in…Blemished Physiologies: Delacroix, Paganini, and the Cholera Epidemic of 1832 (2001)Blemished Physiologies: Delac…Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution (2000)Crescendo of the Virtuoso: Sp…Listening in Paris: A Cultural History. (1995)Listening in Paris: A Cultura…Mozart: A Life (1994)Mozart: A LifeBowing Styles, Vibrato and Portamento in Nineteenth-Century Violin Playing (1988)Bowing Styles, Vibrato and Po…The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day (1982)The Literature of Terror: A H…The Devil, the Violin, and Paganini: The Myth of the Violin as Satan’s Instrument (2012)The Devil, the Violin, and Pa…Caroline Carvalho and nineteenth-century coloratura (2011)Caroline Carvalho and ninetee…The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)The New Grove dictionary of music and musicians (2001)New Catholic Encyclopedia (2003)Paris, Capital of Modernity (2004)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)The musical topic: hunt, military, and pastoral (2007)Introduction: Toward a History of Gothic and Modernism: Dark Modernity from Bram Stoker to Samuel Beckett (2000)"Listen to my tale": Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley's Frankenstein (2010)The Gothic Ghost of the Counterfeit and the Progress of Abjection (2012)Replacing Haydn: Mozart's 'Pleyel' Quartets (2007)Operaen abyme: The prodigious ritual of Korngold'sDie tote Stadt (2010)Mozart ‘stuck in music’ in Paris (1778): towards a new biographical paradigm (2015)Modern Magic and the War on Miracles in French Colonial Culture (2009)The Cambridge Companion to French Music (2015)Beethoven 1806 (2019)REFORMING PAYSAGE HISTORIQUE: COROT AND THE GENERATION OF 1830 (2004)The Gothic Origins of Global Health (2017)Expressiveness in Historical Perspective (2014)Singing Herself: Adelina Patti and the Performance of Femininity (2018)The Marks of a Maestro (2021)Music Lovers (2001)After Adorno : rethinking music sociology (2003)Soundscapes: Toward a Sounded Anthropology (2010)The Myth of Venice in Nineteenth-Century Opera (2005)Female Singers on the French Stage, 1830–1848 (2018)Peirce's Theory of Signs (2007)The Art of Doing (Geographies of) Music (2007)Embodying Music (2011)
this work references cited by second hop

References

  • 1982The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day339 cited
  • 1995Listening in Paris: A Cultural History.329 cited
  • 2001The sonic self: musical subjectivity and signification210 cited
  • 2000Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution102 cited
  • 1994Mozart: A Life48 cited
  • 1988Bowing Styles, Vibrato and Portamento in Nineteenth-Century Violin Playing47 cited
  • 2001Mad Loves: Women and Music in Offenbach's "Les Contes d'Hoffmann"43 cited
  • 2001Blemished Physiologies: Delacroix, Paganini, and the Cholera Epidemic of 183214 cited

Cited by

  • 2012The Devil, the Violin, and Paganini: The Myth of the Violin as Satan’s Instrument6 cited
  • 2011Caroline Carvalho and nineteenth-century coloratura5 cited

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