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Why Concert Promoters Matter
4 references·11 citing·50 second hop
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(1996)Logics of interdisciplinarity (2008)Practice as Research in the Arts (2013)The cost of music (2020)The Environmental Sustainability of the Music Industries (2020)Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies (2022)Burning Man at Google: a cultural infrastructure for new media production (2009)Decomposed: a political ecology of music (2015)Sustainability, Resilience, and Adaptive Management for Applied Ethnomusicology (2015)Emerging Patterns of Participation in Virtual Live Concerts (2025)From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value (2008)Storytelling in jazz improvisation: Implications of a rich intermedial metaphor (2014)Improvisation and Social Aesthetics (2017)
this work references cited by second hop

References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2007Rethinking the music industry261 cited
  • 2006Circular breathing: the cultural politics of jazz in Britain76 cited
  • 2007Live Music Matters75 cited

Cited by

  • 2012The real “crossroads” of live music – the conventions of performance at open mic nights in Edinburgh36 cited
  • 2019Do music festival communities address environmental sustainability and how? A Scottish case study32 cited
  • 2018The Survival Struggle and Resistant Politics of a DIY Music Career in East Asia: Case Studies of China and Taiwan28 cited
  • 2012Selling the experience: The world-views of British concert promoters14 cited
  • 2013Music Business and the Experience Economy12 cited
  • 2021The Infrastructure and Environmental Consequences of Live Music9 cited
  • 2021Between Cultural Policies, Industry Structures, and the Household: A Feminist Perspective on Digitalization and Musical Careers in Hungary6 cited
  • 2014Traditional arts and the state: The Scottish case5 cited
  • 2011Promoting live music in the UK: a behind-the-scenes ethnography4 cited
  • 2022How concert promoters think: five approaches to concert promotion in Norway3 cited
  • 2013

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The Influence of Dirty Pool on the Australian Live Music Industry: A Case Study of Boy & Bear
3 cited