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Drumming among the Akan and Anlo Ewe of Ghana: an introduction
5 references·4 citing·27 second hop
Drumming among the Akan and Anlo Ewe of Ghana: an introduction (2009)Drumming among the Akan and Anlo Ewe of G…A study of the drum language in Adzogbo (1980)A study of the drum language …The "Objective" and Subjective View in Music Transcription (1977)The "Objective" and Subjectiv…Structural Levels of Rhythm and Form in African Music (1975)Structural Levels of Rhythm a…The Significance of the Relationship between Afro-American Music and West African Music (1974)The Significance of the Relat…Employments of the "standard pattern" in Yoruba music (1960)Employments of the "standard …Gender and cultural regeneration in indigenous drumming in Ghana: towards a gender-inclusive, regenerative cultural policy rethinking (2025)Gender and cultural regenerat…West African Polyrhythm: culture, theory, and representation (2021)West African Polyrhythm: cult…Music and Postcolonial Africa (2018)Music and Postcolonial AfricaTwenty-first-century African classicism: illustrations from the piano trio Pivicafrique on the theme of Jack Berry's ‘Sasabonsam's Match’ (2012)Twenty-first-century African …Twentieth-Century Harmony: Creative Aspects and Practice (1961)Creativity as Creative Thinking (1990)Meter and Grouping in African Music: A View from Music Theory (2000)PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)Theory and Method in Ethnomusicology (1966)Circles and Time (2000)Forum on Transcription (2014)Introduction (2022)Africa must unite (1963)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Performing the Nation: Swahili Music and Cultural Politics in Tanzania (2002)Perspectives of New Music (1963)The Elementary Forms of the Religious Life: (2011)Research in African Literatures (2014)Social Research Methods: Qualitative and Quantitative Approaches (2002)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (2018)Reflecting on reflexive thematic analysis (2019)Structural Hearing; Tonal Coherence in Music (1953)Schenker's Conception of Musical Structure (1959)Theory of Suspensions (1972)Towards a comprehensive catalogue of Eve drum mnemonics∗ (1998)Yewe v u in the Metric Matrix (2010)An algebra for periodic rhythms and scales (2011)On African Music (2023)At the Crossroads: Rap Music and Its African Nexus (1996)Aspects of the Music/Text Relationship in Rap (2008)The Cambridge Companion to Hip-Hop (2015)
this work references cited by second hop

References

  • 1974The Significance of the Relationship between Afro-American Music and West African Music197 cited
  • 1977The "Objective" and Subjective View in Music Transcription42 cited
  • 1960Employments of the "standard pattern" in Yoruba music32 cited
  • 1975Structural Levels of Rhythm and Form in African Music19 cited
  • 1980A study of the drum language in Adzogbo13 cited

Cited by

  • 2021West African Polyrhythm: culture, theory, and representation6 cited
  • 2018Music and Postcolonial Africa5 cited
  • 2025Gender and cultural regeneration in indigenous drumming in Ghana: towards a gender-inclusive, regenerative cultural policy rethinking3 cited
  • 2012Twenty-first-century African classicism: illustrations from the piano trio Pivicafrique on the theme of Jack Berry's ‘Sasabonsam's Match’3 cited

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