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From Part to Whole: Developing an Appreciation of Kuna Molas as Collectibles
16 references·2 citing·36 second hop
From Part to Whole: Developing an Appreciation of Kuna Molas as Collectibles (2015)From Part to Whole: Developing an Appreci…Mediterranean journal of social sciences (2020)Mediterranean journal of soci…Textiles: The Whole Story: Uses, Meanings, Significance (2011)Textiles: The Whole Story: Us…Souvenirs: Icons of meaning, commercialization and commoditization (2011)Souvenirs: Icons of meaning, …Motives For Purchasing Artwork, Collectibles And Antiques (2011)Motives For Purchasing Artwor…Authenticity & aura (2011)Authenticity & auraUnpacking culture : art and commodity in colonial and postcolonial worlds (1999)Unpacking culture : art and c…EPILOGUE: Ethnic and Tourist Arts Revisited (1999)EPILOGUE: Ethnic and Tourist …The Art of Being Kuna: Layers of Meaning Among the Kuna of Panama (1997)The Art of Being Kuna: Layers…Kuna Crafts, Gender, and the Global Economy (1995)Kuna Crafts, Gender, and the …What makes a craft souvenir authentic? (1993)What makes a craft souvenir a…The Souvenir: Messenger of the Extraordinary (1986)The Souvenir: Messenger of th…The cultural biography of things: commoditization as process (1986)The cultural biography of thi…The evolution of tourist arts (1984)The evolution of tourist artsEthnic and tourist arts: cultural expressions from the fourth world. (1976)Ethnic and tourist arts: cult…Ethnic and Tourist Arts (1976)Ethnic and Tourist ArtsThe geographical magazine (1948)The geographical magazineThe Knitted Fabric of Finland: Contemporary Handcrafted Wooly Socks Depicting the Nation State (2019)The Knitted Fabric of Finland…Parallelism and meaning: Understanding molas as twinned pairs (2016)Parallelism and meaning: Unde…The Ritual Process: Structure and Anti-Structure (1976)Actual Minds, Possible Worlds (1986)Actual Minds, Possible Worlds. (1986)Authentication: Hot and cool (2012)Authenticity and place attachment of major visitor attractions (2015)The role and dimensions of authenticity in heritage tourism (2019)The Tourist: A New Theory of the Leisure Class. (1977)The Sacred and The Profane: The Nature of Religion (1987)Rethinking authenticity in tourism experience (1999)Visitors' engagement and authenticity: Japanese heritage consumption (2014)Memorable tourism experiences: antecedents and outcomes (2017)Authenticity and loyalty at heritage sites: The moderation effect of postmodern authenticity (2018)Introduction: commodities and the politics of value (1986)Basics of qualitative research (1990)Basics of Qualitative Research (1992)Souvenir buying intentions for self versus others (2001)Travel motivations as souvenir purchase indicators (2005)Souvenirs: What and Why We Buy (2010)Possessions and the Extended Self (1988)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)A Marketing Approach to the Tourist Experience (2007)Symbolic consumption of tourism destination brands (2011)Perceived impacts of tourism (1996)FORUM: Is Ecotourism Sustainable? (1997)The anthropology of tourism (1983)Authenticity and commoditization in tourism (1988)The Commodification of the Body and its Parts (2000)Grit, self-efficacy, achievement orientation goals, and academic performance in University students (2019)The Effectiveness of the Project-Based Learning (PBL) Approach as a Way to Engage Students in Learning (2020)Factors affecting students’ learning performance through collaborative learning and engagement (2021)Geography, science and post-positivist modes of explanation (1979)Generalization of spatial data: Principles and selected algorithms (1997)Living the Thai Life—A Case Study of Volunteer Tourism at the Gibbon Rehabilitation Project, Thailand (2003)Marketing Across Cultures (2001)Global Anxieties (2004)
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References

  • 1986The cultural biography of things: commoditization as process4,863 cited
  • 2020Mediterranean journal of social sciences3,224 cited
  • 1976Ethnic and Tourist Arts406 cited
  • 1986The Souvenir: Messenger of the Extraordinary376 cited
  • 2011Souvenirs: Icons of meaning, commercialization and commoditization351 cited
  • 1993What makes a craft souvenir authentic?335 cited
  • 1999Unpacking culture : art and commodity in colonial and postcolonial worlds322 cited
  • 2011Authenticity & aura293 cited
  • 1976Ethnic and tourist arts: cultural expressions from the fourth world.205 cited
  • 1948The geographical magazine169 cited
  • 1984The evolution of tourist arts118 cited
  • 1995Kuna Crafts, Gender, and the Global Economy54 cited
  • 1999EPILOGUE: Ethnic and Tourist Arts Revisited41 cited
  • 2011Textiles: The Whole Story: Uses, Meanings, Significance39 cited
  • 2011Motives For Purchasing Artwork, Collectibles And Antiques35 cited
  • 1997The Art of Being Kuna: Layers of Meaning Among the Kuna of Panama31 cited

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Cited by

  • 2016Parallelism and meaning: Understanding molas as twinned pairs5 cited
  • 2019The Knitted Fabric of Finland: Contemporary Handcrafted Wooly Socks Depicting the Nation State2 cited