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Looking for the Band: Walter Benjamin and the Mechanical Reproduction of Jazz
9 references·0 citing·33 second hop
Looking for the Band: Walter Benjamin and the Mechanical Reproduction of Jazz (2007)Looking for the Band: Walter Benjamin and…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…ON THE FETISH CHARACTER IN MUSIC AND THE REGRESSION OF LISTENING (2005)ON THE FETISH CHARACTER IN MU…From Music Publishing to MP3: Music and Industry in the Twentieth Century (1999)From Music Publishing to MP3:…Musical Copyright and the U.S. Copyright Act of 1909 (1997)Musical Copyright and the U.S…Repeated Takes: A Short History of Recording and its Effects on Music (1995)Repeated Takes: A Short Histo…Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925 (1995)Machines, Music, and the Ques…Hear me talkin' to ya: problems of jazz discourse (1993)Hear me talkin' to ya: proble…The Reception of Jazz in America: A New View (1989)The Reception of Jazz in Amer…The Imperfect Art: Reflections on Jazz and Modern Culture (1988)The Imperfect Art: Reflection…The Political Unconscious: Narrative as a Socially Symbolic Act (1982)Noise: The Political Economy of Music (1986)The politics of postmodernism (1990)Abdullah Ibrahim and the uses of memory (2002)Prince, Miles, and Maceo: Horns, Masculinity, and the Anxiety of Influence (2013)Function of private singing in instrumental music learning: A multiple case study of self-regulation and embodiment (2018)From Tin Foil to Stereo: Evolution of the Phonograph (1977)Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age (1988)For the Record: Adorno on Music in the Age of Its Technological Reproducibility (1990)“Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound (2003)Sound Work: Music as Labor and the 1940s Recording Bans of the American Federation of Musicians (2013)Copyright and the Value of Performance, 1770–1911 (2018)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)A Sweet Lullaby for World Music (2000)The Production of Culture Perspective (2004)Soundscapes: Toward a Sounded Anthropology (2010)The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)Life and Mind (2009)“Do You Know . . . ?”: The Jazz Repertoire in Action (2010)Glitches, Bugs, and Hisses: (2010)“This Is Not a Copy”: Mechanical Fidelity and the Re-Enacting Piano (2011)Making Sense of Recordings (2020)When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution (2003)On the reproduction of the musical economy after the Internet (2005)Control, curation and musical experience in streaming music services (2015)Negotiating Primitivist Modernisms: Louis Armstrong, Robert Goffin, and the Transatlantic Jazz Debate (2011)FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM (2014)What coaches can learn from the history of jazz-based improvisation: A conceptual analysis (2014)The Mediation of Suffering and the Vision of a Cosmopolitan Public (2008)Medium, Messenger, Transmission (2015)Medium, Messenger, Transmission: An Approach to Media Philosophy (2015)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1995Repeated Takes: A Short History of Recording and its Effects on Music433 cited
  • 2005ON THE FETISH CHARACTER IN MUSIC AND THE REGRESSION OF LISTENING300 cited
  • 1988The Imperfect Art: Reflections on Jazz and Modern Culture182 cited
  • 1995Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877–1925133 cited
  • 1999From Music Publishing to MP3: Music and Industry in the Twentieth Century107 cited
  • 1997Musical Copyright and the U.S. Copyright Act of 190961 cited
  • 1993Hear me talkin' to ya: problems of jazz discourse26 cited
  • 1989The Reception of Jazz in America: A New View12 cited

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