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The Contribution of French Musicians to the Genesis of the Italian Madrigal
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The Contribution of French Musicians to the Genesis of the Italian Madrigal (2003)The Contribution of French Musicians to t…Music Historiography and the Definition of “Renaissance” (2017)Music Historiography and the …Papal Patronage and the Music of St. Peter's, 1380-1513 (1996)Papal Patronage and the Music…Music Historiography and the Definition of "Renaissance" (1990)Music Historiography and the …Music in Renaissance Ferrara, 1400-1505: The Creation of a Musical Center in the Fifteenth Century (1985)Music in Renaissance Ferrara,…Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-1520 (1979)Jean Mouton and Jean Michel: …The Musical Chapels at the Florentine Cathedral and Baptistry During the First Half of the 16th Century (1971)The Musical Chapels at the Fl…PIETRO BEMBO AND THE LITERARY ORIGINS OF THE ITALIAN MADRIGAL (1969)PIETRO BEMBO AND THE LITERARY…The Singers of San Giovanni in Florence during the 15th Century (1961)The Singers of San Giovanni i…The 15th-Century Cappella at Santa Maria del Fiore in Florence (1958)The 15th-Century Cappella at …Music in the Renaissance (1954)Venice, A Maritime Republic (1973)Venice: A Maritime Republic (1974)The Membership of the Chapels of Louis XII and Anne de Bretagne in the Years Preceding Their Deaths (1988)The Dating and Provenance of Bologna, Civico Museo Bibliografico Musicale, MS Q 19 (1991)Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex (2017)Music and Cultural Tendencies in 15th-Century Italy (1966)A Note on Isaac's "Quis dabit capiti meo aquam" (1974)“Master Arigo Ysach, Our Brother”: New Light on Isaac in Florence, 1502–17 (2008)A Medieval Scholasticus and Renaissance Choirmaster: A Portrait of John Hothby at Lucca (2010)The Council of Florence (1959)Bulletin de l'Institut Historique Belge de Rome. (1962)The Lauda and the Cult of Savonarola (1992)Performing for Strangers: Women, Dance, and Music in Quattrocento Florence (2001)“In the Church and in the Chapel” (2014)Protocolli del carteggio di Lorenzo il Magnifico : per gli anni 1473-74, 1477-92 (1956)Studies in Medieval and Renaissance Music (2018)Guillaume Du Fay (2019)The Academy of Domenico Venier, Music's Literary Muse in Mid-Cinquecento Venice (1991)Ut musica poesis: Music and Poetry in France in the Late Sixteenth Century (1994)The Renaissance Academies between Science and the Humanities (2009)Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked (1993)‘So to the wood went I’: Politicizing the Greenwood in Two Songs by John Dowland (2007)Romantic Empowerment at the Paris Opera in the 1770s and 1780s (2013)“When in Rome……”: What Josquin Learned in the Sistine Chapel (2008)Bologna Q 18: Some Reflections on Content and Context (1988)Josquin Desprez and His Milanese Patrons (1994)Renaissance Polyphony (2020)Interpreting the Musical Past (2008)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)
this work references cited by second hop

References

  • 1969PIETRO BEMBO AND THE LITERARY ORIGINS OF THE ITALIAN MADRIGAL68 cited
  • 1990Music Historiography and the Definition of "Renaissance"67 cited
  • 1985Music in Renaissance Ferrara, 1400-1505: The Creation of a Musical Center in the Fifteenth Century42 cited
  • 1961The Singers of San Giovanni in Florence during the 15th Century32 cited
  • 1979Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-152025 cited
  • 1996Papal Patronage and the Music of St. Peter's, 1380-151323 cited
  • 1971The Musical Chapels at the Florentine Cathedral and Baptistry During the First Half of the 16th Century22 cited
  • 2017Music Historiography and the Definition of “Renaissance”10 cited
  • 1958The 15th-Century Cappella at Santa Maria del Fiore in Florence9 cited

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