Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked

Abstract

Further progress in Josquin research and in the study of the music of the whole age will largely depend on detailed inquiry into the catalogue of the authentic works of the master. This will probably be the most burning problem, for how should the scholar pursue serious studies of Josquin's music, and how should the amateur find an approach to this outstanding musician, unless they know that the composition in their hands is really by Josquin?'

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