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Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked

8 references·2 citing·37 second hop

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References

1982Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance109 cited
1990Music Historiography and the Definition of "Renaissance"67 cited
1985Workshop II. The Performing Ensembles in Josquin's Sacred Music41 cited
1976Josquin's Chansons: Ignored and Lost Sources37 cited
1981Toward an Interpretation of the Sixteenth-Century Motet30 cited
2017The Performing Ensembles in Josquin's Sacred Music27 cited
1989Another ‘Imitation’ of Busnoys'sMissa L'Homme armé—and Some Observations onImitatioin Renaissance Music12 cited
2017Music Historiography and the Definition of “Renaissance”10 cited

Cited by

2002TheLiber selectarum cantionumand the "German Josquin Renaissance"4 cited
2006A Josquin substitution3 cited

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