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The L’homme armé tradition – and the limits of musical borrowing · Study

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ChapterThe L’homme armé tradition – and the limits of musical borrowing

Jesse Rodin2015

Chapter2015

The L’homme armé tradition – and the limits of musical borrowing

2 citations·0/0 files stored·Cambridge University Press eBooks

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Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

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References

1974The Anxiety of Influence: A Theory of Poetry 1982Tradition and the Individual Talent 1970The Burden of the Past and the English Poet 1983The Figure of Echo: A Mode of Allusion in Milton and After 1986Music in Late Medieval Bruges 2011The cultural life of the early polyphonic Mass: medieval context to modern revival 1994The Uses of Existing Music: Musical Borrowing as a Field 2002The maze and the warrior: symbols in architecture, theology, and music

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2015The polyphonic mass in the fifteenth centurychapter · 12 shared references 2018Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Traditionarticle · 10 shared references 2011MORALES, JOSQUIN AND THEL'HOMME ARMÉTRADITIONarticle · 9 shared references 2014Medieval Music, Legend, and the Cult of St Martin: The Local Foundations of a Universal Saintthesis · 7 shared references 2019Composing Community in Late Medieval Musicbook · 7 shared references 2020Renaissance Polyphonybook · 5 shared references

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Year2015

Typechapter

Published2015-07-05

VenueCambridge University Press eBooks

Languageen

Citations2

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1017/cho9781139057813.008

openalex_workW2476010269

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