SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The L’homme armé tradition – and the limits of musical borrowing
16 references·0 citing·28 second hop
The L’homme armé tradition – and the limits of musical borrowing (2015)The L’homme armé tradition – and the limi…Josquin's Rome: Hearing and Composing in the Sistine Chapel (2012)Josquin's Rome: Hearing and C…The cultural life of the early polyphonic Mass: medieval context to modern revival (2011)The cultural life of the earl…Medieval music and the art of memory (2005)Medieval music and the art of…The maze and the warrior: symbols in architecture, theology, and music (2002)The maze and the warrior: sym…A catalogue of polyphonic songs, 1415-1480 (2000)A catalogue of polyphonic son…The Uses of Existing Music: Musical Borrowing as a Field (1994)The Uses of Existing Music: M…The rise of European music, 1380-1500 (1993)The rise of European music, 1…The Counterpoint of Allusion in Fifteenth-Century Masses (1992)The Counterpoint of Allusion …Music in Late Medieval Bruges (1986)Music in Late Medieval BrugesAntoine Busnoys and the L'Homme armé Tradition (1986)Antoine Busnoys and the L'Hom…Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece (1985)Music and ceremonial in the L…The Figure of Echo: A Mode of Allusion in Milton and After (1983)The Figure of Echo: A Mode of…Tradition and the Individual Talent (1982)Tradition and the Individual …The Anxiety of Influence: A Theory of Poetry (1974)The Anxiety of Influence: A T…The Burden of the Past and the English Poet (1970)The Burden of the Past and th…Significant and Coincidental Resemblance between Classical Themes (1961)Significant and Coincidental …The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet (2006)What Fortune Can Do to a Minim (2012)The Cambridge Companion to French Music (2015)Religion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)Modernism and the Reinvention of Decadence (2014)Intertextuality, sampling, and copyright (2015)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model (2021)Guillaume Du Fay's benefices and his relationship to the court of Burgundy (1988)Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)The many ways of community music (2007)Plagiarisms, Authorships, and the Academic Death Penalty (1995)Methodology of the Oppressed (2010)Show sold separately: promos, spoilers, and other media paratexts (2010)Ovid's Lovers: Desire, Difference and the Poetic Imagination (2006)Medieval and Early Modern Authorship (2011)Theorizing Adaptation (2020)A Selective Review of Time Assumptions in Strategy Research (2000)Sexuality, Textuality: The Cultural Work of Plagiarism (2000)Modernism, Satire and the Novel (2011)The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)Fauvel and Marigny: Which Came First? (2023)ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING (2011)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Polyphony in medieval Paris the art of composing with plainchant (2018)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)
this work references cited by second hop

References

  • 1974The Anxiety of Influence: A Theory of Poetry2,673 cited
  • 1982Tradition and the Individual Talent661 cited
  • 1970The Burden of the Past and the English Poet508 cited
  • 1983The Figure of Echo: A Mode of Allusion in Milton and After288 cited
  • 1986Music in Late Medieval Bruges159 cited
  • 2011The cultural life of the early polyphonic Mass: medieval context to modern revival144 cited
  • 1994The Uses of Existing Music: Musical Borrowing as a Field139 cited
  • 2002The maze and the warrior: symbols in architecture, theology, and music99 cited
  • 2005Medieval music and the art of memory85 cited
  • 2000A catalogue of polyphonic songs, 1415-148085 cited
  • 1986Antoine Busnoys and the L'Homme armé Tradition43 cited
  • 1992The Counterpoint of Allusion in Fifteenth-Century Masses42 cited
  • 1961Significant and Coincidental Resemblance between Classical Themes37 cited
  • 1985Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece36 cited
  • 2012Josquin's Rome: Hearing and Composing in the Sistine Chapel33 cited
  • 1993The rise of European music, 1380-1500

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

33 cited

Cited by

No citing works inside the corpus for this window.