Medieval music and the art of memory

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Musicology and Musical Analysis Libraries, Manuscripts, and Books Medieval Literature and History

Abstract

Contents List of Illustrations List of Tables List of Music Examples Acknowledgments List of Abbreviations Introduction Chapter 1. Prologue: The First Great Dead White Male Composer Part 1. The Construction of the Memorial Archive Chapter 2. Tonaries: A Tool for Memorizing Chant Chapter 3. Basic Theory Treatises Chapter 4. The Memorization of Organum, Discant, and Counterpoint Treatises Part 2. Compositional Process in Polyphonic Music Chapter 5. Compositional Process and the Transmission of Notre Dame Polyphony Chapter 6. Visualization and the Composition of Polyphonic Music Conclusion Bibliography Index

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2011SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO 2018Polyphony in medieval Paris the art of composing with plainchant 2011ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet 2012A History of Singing 2016Understanding the leitmotif: from Wagner to Hollywood film music 2013From Neumes to Notes: The Evolution of Music Notation 2016The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century

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