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Medieval music and the art of memory
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  • 2011SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO71 cited
  • 2018Polyphony in medieval Paris the art of composing with plainchant68 cited
  • 2011ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING60 cited
  • 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet57 cited
  • 2012A History of Singing33 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2013From Neumes to Notes: The Evolution of Music Notation25 cited
  • 2016The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century23 cited
  • 2013Traditio Iohannis Hollandrini23 cited
  • 2006Alexander Agricola and intuitive syllable deployment22 cited
  • 2015Improvisation as concept and musical practice in the fifteenth century21 cited
  • 2010Rethinking the Orality-Literacy Paradigm in Musicology20 cited
  • 2010A Medieval Scholasticus and Renaissance Choirmaster: A Portrait of John Hothby at Lucca18 cited
  • 2022Before Melopoiae: Conrad Celtis, Laurentius Corvinus, Arnold Wöstefeld and the Use of Music in the Teaching and Performance of Horace’s Metres around 150017 cited

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2019
Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone
17 cited
  • 2019The rhetoric of sexuality in the age of Brahms and Wagner13 cited