Josquin's Rome: Hearing and Composing in the Sistine Chapel

Jesse Rodin

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Musicology and Musical Analysis Renaissance Literature and Culture Renaissance and Early Modern Studies

Abstract

Table of Contents Introduction Part I. Toward Josquin's Style Chapter 1. Methodological Minefields Chapter 2. An Obsessive Compositional Personality Part II. Surveying the Soundscape. The Cappella Sistina, ca. 1480-ca. 1500 Chapter 3. The Repertory Chapter 4. The Lingua Franca Chapter 5. A Maximalist Musical Mind: Marbrianus de Orto Part III. Josquin's Roman Music in Context Chapter 6. Super voces musicales and the L'homme arme Tradition Chapter 7. Intersections and Borrowings Appendix A. Music Copied into Cappella Sistina Manuscripts before ca. 1500 Appendix B. Contents of VatS 14 and 51 Appendix C. Related Repertories: VerBC 761, BarcOC 5, and VatSP B80 Appendix D. Three Anonymous Da pacem Motets Appendix E. Five Canonic Hymn Settings

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2017The Polyphonic Mass in France, 1600–1780 2018Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition 2015The L’homme armé tradition – and the limits of musical borrowing

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