The Gender Politics of Death

Abstract

Puccini’s opera La Bohème has been adapted and changed by cinema. The avant-garde short Thriller offers a stringent critique, but elitist status hinders its effectiveness. A popular and postmodern film, Moulin Rouge! supports the patriarchy; thus, it is objectionable. It is the classical narrative, Moonstruck, therefore, that is able to deconstruct the opera and reach a wide audience simultaneously.

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