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The author analyzes the Halloween series, particularly Halloween III: Season of the Witch (1982), to assess the prevalence (and endurance) of modern horror film franchises. He argues that economic realities of Hollywood more directly explain the continuation of such series than does postmodern theory.
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Stored only when both papers are in the corpus — 17 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.