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• 2017Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire56 cited
• 2014An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art43 cited
• 2015Violence in Neolithic Iberia: new readings of Levantine rock art36 cited
• 2021DANCE SCENES IN LEVANTINE ROCK ART (SPAIN): A CRITICAL REVIEW17 cited
• 2008La cronología neolítica del arte levantino: ¿realidad o deseo?14 cited
• 2022Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain)12 cited
• 2015LOS PAQUÍPODOS: SU DIFÍCIL ENCAJE EN LA CRONOLOGÍA DEL ARTE LEVANTINO. “PAQUÍPODOS”: A DIFFICULT MOTIVE IN THE CHRONOLOGY OF THE LEVANTINE ART.7 cited
• 2021Las escenas de danza en el arte rupestre levantino del Bajo Aragón y Maestrazgo: una síntesis crítica6 cited
• 2021El abrigo de Barranco Gómez (Castellote, Teruel), un nuevo conjunto con arte levantino en el núcleo rupestre del Guadalope5 cited
• 2023Hanging over the Void. Uses of Long Ropes and Climbing Rope Ladders in Prehistory as Illustrated in Levantine Rock Art5 cited
• 2018War and Peace in Iberian Prehistory: The Chronology and Interpretation of the Depictions of Violence in Levantine Rock Art4 cited
• 2012