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The 'cutting edge' of rock art : motifs and other markings on Driekuil Hill, North West Province, South Africa
16 references·6 citing·46 second hop
The 'cutting edge' of rock art : motifs and other markings on Driekuil Hill, North West Province, South Africa (2007)The 'cutting edge' of rock art : motifs a…Thinking from Things: Essays in the Philosophy of Archaeology (2004)Thinking from Things: Essays …Taking Stock (2004)Taking StockSeeing is deceiving: Rock art and the non-visual (2001)Seeing is deceiving: Rock art…Nyae Nyae !Kung: beliefs and rites (2000)Nyae Nyae !Kung: beliefs and …Rock art of the dreamtime: images of ancient Australia (1998)Rock art of the dreamtime: im…Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Quanto?: The Issue of 'Many M…The Water Snake of the Khoekhoen and /Xam (1997)The Water Snake of the Khoekh…Spiritual and Political Uses of a Rock Engraving Site and Its Imagery by San and Tswana-Speakers (1995)Spiritual and Political Uses …Rock Engravings of Southern Africa (1994)Rock Engravings of Southern A…Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples (1993)Hunters and Herders of Southe…Through the Veil: San Rock Paintings and the Rock Face (1990)Through the Veil: San Rock Pa…The power of a place in understanding southern San rock engravings (1988)The power of a place in under…Nelson Bay Cave, Cape Province, South Africa: The Holocene Levels (1988)Nelson Bay Cave, Cape Provinc…Ghaap and Gariep: Later Stone Age Studies in the Northern Cape (1984)Ghaap and Gariep: Later Stone…Dated Rock Engravings from Wonderwerk Cave, South Africa (1981)Dated Rock Engravings from Wo…Nomads of the Australian desert (1976)Nomads of the Australian dese…Rock Art and Hunter–Gatherer Landscapes: Iconography, Cosmology and Topography in Southern Africa (2025)Rock Art and Hunter–Gatherer …Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa (2025)Identity Through Iteration: S…!’Hurasi – Ju|’hoansi tortoise shell containers from the past and present in Omaheke, Namibia (2025)!’Hurasi – Ju|’hoansi tortois…Body Modifications among San Hunter-Gatherers (2024)Body Modifications among San …Trouble on the Tarka: The History of Bandit Groups on the Cape Colony’s Eastern Border and the Archive of Their Rock Art (2020)Trouble on the Tarka: The His…Indigenising the gun – rock art depictions of firearms in the Eastern Cape, South Africa (2019)Indigenising the gun – rock a…That Noble Dream (1988)Silencing the past: Power and the Production of History (1996)Indigenous Archaeology as Decolonizing Practice (2006)Myths of the archaic state: evolution of the earliest cities, states, and civilizations (2006)Standards of Evidence in Qualitative Research: An Incitement to Discourse (2007)Witchcraft, Oracles and Magic Among the Azande (2017)Wilton: An Assessment after Fifty Years (1972)'Art Mobilier' from the Apollo 11 Cave, South West Africa: Africa's Oldest Dated Works of Art (1976)Ethnography and Iconography: Aspects of Southern San Thought and Art (1980)The Pleistocene Later Stone Age south of the Limpopo River (1993)On a timescale for the past million years of human history in central South Africa (2006)Late Pleistocene and Holocene mammal extinctions on continental Africa (2013)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Perception of the Environment (2002)THROUGH WARY EYES: Indigenous Perspectives on Archaeology (2005)A linguist's view: Khoe-Kwadi speakers as the earliest food-producers of southern Africa (2008)Invisible herders? The archaeology of Khoekhoe pastoralists (2008)Black Skin, White Masks (2023)The !Kung of Nyae Nyae (1976)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Ethnographic Evidence Relating to 'Trance' and 'Shamans' among Northern and Southern Bushmen (1992)Modelling the Production and Consumption of Rock Art (1995)The Still Bay and Howiesons Poort, 77–59 ka (2011)Iconology (1986)The Ideology of the Aesthetic (1988)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)ARCHAEOLOGY OF THE BODY (2005)Vision, Media, Noise and the Percolation of Time (2006)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Languages of Art (1968)The Transfiguration of the Commonplace, a Philosophy of Art (1981)Reading art, writing history: Rock art and social change in Southern Africa (1994)Memory and Material Culture? (2007)The Human Symbolic Revolution: A Darwinian Account (1995)Social Brain, Distributed Mind (2010)The discovery of fire by humans: a long and convoluted process (2016)Aboriginal knowledge of the mammals of the central deserts of Australia (1988)Notes from the Surface of the Image (2003)Drawn from the Ground: Sound, Sign and Inscription in central Australian sand stories (2014)An early bone tool industry from the Middle Stone Age at Blombos Cave, South Africa: implications for the origins of modern human behaviour, symbolism and language (2001)Middle Stone Age bone tools from the Howiesons Poort layers, Sibudu Cave, South Africa (2008)Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Hunting, healing, and hxaro exchange (2002)The gripping nature of ochre: The association of ochre with Howiesons Poort adhesives and Later Stone Age mastics from South Africa (2007)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)
this work references cited by second hop

References

  • 1993Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples302 cited
  • 2004Thinking from Things: Essays in the Philosophy of Archaeology293 cited
  • 1990Through the Veil: San Rock Paintings and the Rock Face173 cited
  • 2000Nyae Nyae !Kung: beliefs and rites140 cited
  • 1976Nomads of the Australian desert139 cited
  • 2004Taking Stock119 cited
  • 2001Seeing is deceiving: Rock art and the non-visual111 cited
  • 1981Dated Rock Engravings from Wonderwerk Cave, South Africa99 cited
  • 1988Nelson Bay Cave, Cape Province, South Africa: The Holocene Levels96 cited
  • 1988The power of a place in understanding southern San rock engravings93 cited
  • 1998Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research90 cited
  • 1984Ghaap and Gariep: Later Stone Age Studies in the Northern Cape89 cited
  • 1997The Water Snake of the Khoekhoen and /Xam58 cited
  • 1994Rock Engravings of Southern Africa57 cited
  • 1998Rock art of the dreamtime: images of ancient Australia52 cited
  • 1995Spiritual and Political Uses of a Rock Engraving Site and Its Imagery by San and Tswana-Speakers

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50 cited

Cited by

  • 2020Trouble on the Tarka: The History of Bandit Groups on the Cape Colony’s Eastern Border and the Archive of Their Rock Art6 cited
  • 2019Indigenising the gun – rock art depictions of firearms in the Eastern Cape, South Africa6 cited
  • 2025Rock Art and Hunter–Gatherer Landscapes: Iconography, Cosmology and Topography in Southern Africa5 cited
  • 2025Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa4 cited
  • 2025!’Hurasi – Ju|’hoansi tortoise shell containers from the past and present in Omaheke, Namibia2 cited
  • 2024Body Modifications among San Hunter-Gatherers2 cited