SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
F amily photographs: visual mediation of the social
16 references·0 citing·35 second hop
F amily photographs: visual mediation of the social (2014)F amily photographs: visual mediation of …Native Life in Travancore (2024)Native Life in TravancoreThere Comes Papa: Colonialism and the Transformation of Matriliny in Kerala. Malabar c. 1850–1940 (2019)There Comes Papa: Colonialism…Making India Hindu: Religion, Community and the Politics of Democracy in India (2006)Making India Hindu: Religion,…Can the Subaltern Be Seen? Photography and the Affects of Nationalism (2004)Can the Subaltern Be Seen? Ph…'Photos of the gods': the printed image and political struggle in India (2004)'Photos of the gods': the pri…Cultural relativism and the visual turn (2002)Cultural relativism and the v…Secular Icons: Looking at Photographs from Nazi Concentration Camps (2000)Secular Icons: Looking at Pho…Missionaries and a Hindu State: Travancore 1858-1936 (1998)Missionaries and a Hindu Stat…Vision, Race, and Modernity (1997)Vision, Race, and ModernityClothing matters: dress and identity in India (1997)Clothing matters: dress and i…Caste, Nationalism and Communism in South India: Malabar 1900-1948 (1995)Caste, Nationalism and Commun…The Nation and Its Fragments (1994)The Nation and Its FragmentsThe Difference - Deferral of (A) Colonial Modernity: Public Debates on Domesticity in British Bengal (1993)The Difference - Deferral of …Photography and the colonial vision (1993)Photography and the colonial …Photography: a middle-brow art (1991)Photography: a middle-brow artIntroduction: commodities and the politics of value (1986)Introduction: commodities and…The Predicament of Culture (1988)We have never been modern (1994)Camera Lucida: Reflections on Photography (2001)Taking People Apart: Digitised Dissection and the Body at the Border (2009)Cloud geographies (2016)Populism as Parody: The Visual Self-Presentation of Jair Bolsonaro on Instagram (2020)The Origins of Totalitarianism (1959)Family Frames: Photography, Narrative and Postmemory (1997)What Has “Coming to Terms with the Past” Meant in Post-World War II Germany? From History to Memory to the “History of Memory” (2002)When citizen photojournalism sets the news agenda: Neda Agha Soltan as a Web 2.0 icon of post-election unrest in Iran (2011)Towards responsible geographies of memory: complexities of place and the ethics of remembering (2015)Mediation and immediacy: sensational forms, semiotic ideologies and the question of the medium (2011)Rule by Aesthetics: World‐Class City Making in Delhi (2011)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Editorial: Mobilities, Immobilities and Moorings (2006)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)Archaeology and the Senses (2013)Women in Modern India (1996)The Anthropology of Colonialism: Culture, History, and the Emergence of Western Governmentality (1997)Refashioning Mother India: Feminism and Nationalism in Late-Colonial India (2000)Voices of Modernity (2003)Environmentality: Technologies of Government and the Making of Subjects (2005)Imperialism, Sovereignty and the Making of International Law (2005)Authenticity and commoditization in tourism (1988)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)Extended Self in a Digital World: Table 1. (2013)Craft Production Systems (2001)The World in Dress: Anthropological Perspectives on Clothing, Fashion, and Culture (2004)Seeing the State (2005)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Creolization and Its Discontents (2006)Objects of Affect: Photography Beyond the Image (2012)India's Middle Classes and the Environment (2004)Hindu nationalism, neo-traditionalism and environmental discourses in India (2005)SECULARISM AND LAICISM IN TURKEY (2008)
this work references cited by second hop

References

  • 1986Introduction: commodities and the politics of value4,000 cited
  • 1994The Nation and Its Fragments3,315 cited
  • 1991Photography: a middle-brow art1,059 cited
  • 1997Vision, Race, and Modernity1,022 cited
  • 2004'Photos of the gods': the printed image and political struggle in India452 cited
  • 1997Clothing matters: dress and identity in India332 cited
  • 1993The Difference - Deferral of (A) Colonial Modernity: Public Debates on Domesticity in British Bengal180 cited
  • 2006Making India Hindu: Religion, Community and the Politics of Democracy in India166 cited
  • 2002Cultural relativism and the visual turn141 cited
  • 2000Secular Icons: Looking at Photographs from Nazi Concentration Camps105 cited
  • 2019There Comes Papa: Colonialism and the Transformation of Matriliny in Kerala. Malabar c. 1850–1940101 cited
  • 1998Missionaries and a Hindu State: Travancore 1858-193695 cited
  • 2024Native Life in Travancore50 cited
  • 2004Can the Subaltern Be Seen? Photography and the Affects of Nationalism46 cited
  • 1993Photography and the colonial vision39 cited
  • 1995Caste, Nationalism and Communism in South India: Malabar 1900-1948

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

38 cited

Cited by

No citing works inside the corpus for this window.