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Secular Icons: Looking at Photographs from Nazi Concentration Camps · Study

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ArticleSecular Icons: Looking at Photographs from Nazi Concentration Camps

Cornelia Brink2000

Article2000

Secular Icons: Looking at Photographs from Nazi Concentration Camps

105 citations·0/0 files stored·History and Memory

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Memory, Trauma, and Commemoration Photographic and Visual Arts Photography and Visual Culture

Abstract

History & Memory - Volume 12, Number 1, Spring/Summer 2000

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References

2001Camera Lucida: Reflections on Photography 1997Family Frames: Photography, Narrative and Postmemory 1959The Origins of Totalitarianism 1994Likeness and presence: a history of the image before the era of art 20213. „Geschichte in Wissenschaft und Unterricht“2000Remembering to Forget: Holocaust Memory through the Camera's Eye 1992The power of photography: how photographs changed our lives 1994L'écriture ou la vie

Cited by

2011When citizen photojournalism sets the news agenda: Neda Agha Soltan as a Web 2.0 icon of post-election unrest in Iran 2015Towards responsible geographies of memory: complexities of place and the ethics of remembering 2002What Has “Coming to Terms with the Past” Meant in Post-World War II Germany? From History to Memory to the “History of Memory”2013A Painful Labor: Photography and Responsibility 2014F amily photographs: visual mediation of the social 2013Watery friction: the River Narmada, celebrity and new grammars of protest

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Details

Year2000

Typearticle

Published2000-01-01

VenueHistory and Memory

ISSN-L0935-560X

Languageen

Citations105

Files0 public / 0

ShelfMemory, Trauma, and Commemoration

Identifiers

doi10.1353/ham.2000.0001

openalex_workW2063668464

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