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Secular Icons: Looking at Photographs from Nazi Concentration Camps
14 references·7 citing·31 second hop
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this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1997Family Frames: Photography, Narrative and Postmemory2,318 cited
  • 1959The Origins of Totalitarianism1,610 cited
  • 1994Likeness and presence: a history of the image before the era of art1,039 cited
  • 20213. „Geschichte in Wissenschaft und Unterricht“654 cited
  • 2000Remembering to Forget: Holocaust Memory through the Camera's Eye349 cited
  • 1992The power of photography: how photographs changed our lives163 cited
  • 1994L'écriture ou la vie84 cited
  • 1997Germany, 1945: views of war and violence83 cited
  • 1973Theorie des Films : die Errettung der äußeren Wirklichkeit78 cited
  • 1998Ikonen der Vernichtung60 cited
  • 1983The Secular Icon: Photography and The Functions of Images19 cited
  • 1989Die schamlose Schönheit des Vergangenen : zum Verhältnis von Geschlecht und Geschichte13 cited
  • 1959Der Mensch und das Kino6 cited

Cited by

  • 2011When citizen photojournalism sets the news agenda: Neda Agha Soltan as a Web 2.0 icon of post-election unrest in Iran159 cited
  • 2015

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Towards responsible geographies of memory: complexities of place and the ethics of remembering
41 cited
  • 2002What Has “Coming to Terms with the Past” Meant in Post-World War II Germany? From History to Memory to the “History of Memory”14 cited
  • 2013A Painful Labor: Photography and Responsibility11 cited
  • 2014F amily photographs: visual mediation of the social10 cited
  • 2013Watery friction: the River Narmada, celebrity and new grammars of protest4 cited
  • 2016Die Responsibility to Protest: Street Art als Waffe des Widerstands?3 cited