SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Big Sounds From Small Peoples: The Music Industry in Small Countries
0 references·16 citing·57 second hop
Big Sounds From Small Peoples: The Music Industry in Small Countries (1985)Big Sounds From Small Peoples: The Music …Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Platform pop: disentangling S…Why “majors” surge in the post-disruptive recording industry (2019)Why “majors” surge in the pos…Getting heard in Tibet: Music, media and markets (2008)Getting heard in Tibet: Music…From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation (2006)From Cultural Exchange to Tra…Editorial: Popular Music and Leisure (2005)Editorial: Popular Music and …The emergence of a post-industrial music economy? Music and ICT synergies in Stockholm, Sweden (2004)The emergence of a post-indus…‘Reading the referents’: the ghost of America in contemporary Kenyan popular music (2004)‘Reading the referents’: the …Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica (2002)Profiting from Creativity? Th…Aesthetics of diaspora: Contemporary minstrels in Turkish Berlin (2002)Aesthetics of diaspora: Conte…Music in Electronic Markets (2001)Music in Electronic Markets»Sicher in Kreuzberg« (2001)»Sicher in Kreuzberg«Contested Collective Administration of Intellectual Property Rights in Music (1999)Contested Collective Administ…The wonderful world of IFPI: music industry rhetoric, the critics and the classical marxist critique (1997)The wonderful world of IFPI: …Kiwi rock: popular music and cultural identity in New Zealand (1994)Kiwi rock: popular music and …Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry (1990)Commercialising the sound of …ON THE COMMUNICATIVE PROPERTIES OF MUSIC (1985)ON THE COMMUNICATIVE PROPERTI…The Competitive Advantage of Nations (1990)The culture industry : selected essays on mass culture (1991)The Cluster as Market Organisation (2004)Working through Knowledge Pools: Labour Market Dynamics, the Transference of Knowledge and Ideas, and Industrial Clusters (2004)Geographies of Knowledge Formation in Firms (2005)There Ain't No Black in the Union Jack (2013)The Predicament of Culture (1988)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Identity : community, culture, difference (2003)Dutch Moroccan Websites: A Transnational Imagery? (2006)Taste diaspora: The aesthetic and material practice of belonging (2014)Music-making and forced migrants’ affective practices of diasporic belonging (2020)Listening to Popular Music (1950)How Musical Is Man? (1976)Big Sounds from Small People: The Music Industry in Small Countries (1984)Media Audiences as Interpretive Communities (1988)Changing channels: Early adolescent media choices and shifting investments in family and friends (1989)Viewing age: Lifespan identity and television viewing choices (1997)The music industry and the `cultural imperialism' thesis (1986)‘Sadeness’, Scorpions and single markets: national and transnational trends in European popular music (1992)Pop and the Nation-State: towards a theorisation (1999)Sonic psychogeography (2009)The Cambridge Companion to the Singer-Songwriter (2016)European intellectual property review (1980)Increasing returns and the new world of business. (1996)The Winner-Take-All Society (1996)Intellectual property in music: A historical analysis of rhetoric and institutional practices∗ (2000)Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. (1962)Lenin and Philosophy and Other Essays (1971)5. The Practice of Everyday Life (2000)Politeness, Impoliteness and Ritual: Maintaining the Moral Order in Interpersonal Interaction (2017)Cultural appropriation and oppression (2018)Peace Love Yoga (2020)The critical incident technique. (1954)Case Study Research: Design and Methods (1984)Case Study Research: Design and Methods (1991)Evaluating the impact of the internet on barriers to entry in the music industry (2005)CD music purchase behaviour of P2P users (2007)New horizons or a strategic mirage? Artist-led-distribution versus alliance strategy in the video game industry (2013)The Competitive Advantage of Nations (1991)A Dynamic Theory of Organizational Knowledge Creation (1994)Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market (2007)Cartoon planet: worlds of production and global production networks in the animation industry (2009)National Systems of Innovation (2010)CUSTOMER WILLINGNESS TO PAY FOR ONLINE MUSIC: THE ROLE OF FREE MENTALITY (2013)The politics of ‘platforms’ (2010)The Platform Society (2018)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Music in business and management studies: a systematic literature review and research agenda (2023)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The consequences of modernity (1990)Qualitative Research Methods for the Social Sciences (2000)Economic change in twentieth-century Turkey: is the glass more than half full? (2008)Kurds and the Turkish State (2008)The Cambridge History of Turkey (2008)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2006From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation469 cited
  • 2002Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica138 cited
  • 2001»Sicher in Kreuzberg«130 cited
  • 2020Platform pop: disentangling Spotify’s intermediary role in the music industry88 cited
  • 1985ON THE COMMUNICATIVE PROPERTIES OF MUSIC79 cited
  • 1994Kiwi rock: popular music and cultural identity in New Zealand61 cited
  • 2002Aesthetics of diaspora: Contemporary minstrels in Turkish Berlin60 cited
  • 2004The emergence of a post-industrial music economy? Music and ICT synergies in Stockholm, Sweden59 cited
  • 2001Music in Electronic Markets50 cited
  • 1999Contested Collective Administration of Intellectual Property Rights in Music37 cited
  • 1997The wonderful world of IFPI: music industry rhetoric, the critics and the classical marxist critique35 cited
  • 2005Editorial: Popular Music and Leisure32 cited
  • 1990Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry30 cited
  • 2019Why “majors” surge in the post-disruptive recording industry23 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2008Getting heard in Tibet: Music, media and markets21 cited
  • 2004‘Reading the referents’: the ghost of America in contemporary Kenyan popular music21 cited