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Crisis and Capitalism in Contemporary Argentine Cinema
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  • 2017The Cinematographic Unconscious of Slum Voyeurism39 cited
  • 2014Screening neoliberalism: transforming Mexican cinema, 1988-201233 cited
  • 2013Economic Crisis and Identity in Neoliberal Argentina: Claudia Pin˜eiro'sLas viudas de los jueves21 cited
  • 2013Sex, texts and money, funding and Latin American queer cinema: The cases of Martel’s La niña santa and Puenzo’s XXY16 cited
  • 2011Wholly ambivalent demon-girl: horror, the uncanny and the representation of feminine adolescence in Lucrecia Martel'sLa niña santa14 cited
  • 2012Analyzing the Woman Auteur : The Female/Feminist Gazes of Isabel Coixet and Lucrecia Martel13 cited
  • 2016Toward Asian Argentine Studies11 cited
  • 2017Comics and Memory in Latin America9 cited
  • 2013Diego Maradona and the psychodynamics of football fandom in international cinema8 cited
  • 2014Going Backwards, Moving Forwards: The Return of Modernism in the Work of Athina Rachel Tsangari7 cited
  • 2015Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice6 cited
  • 2014Staging Politics and Activism in the Kirchner Era: Documentary and Fiction inEl estudiante6 cited
  • 2015Establishing the female gaze: narrative subversion in Lucrecia Martel’sLa niña santa(2004) andLa ciénaga(2001)6 cited

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2016
Introduction: Reconfiguring Precarious Landscapes: The Road Movie in Latin America
6 cited
  • 2012Iconic fictions: Narrating recent Argentine history in post-2000 second-generation films5 cited
  • 2016Geographies of Love(Lessness), Space and Affectivity inViajo Porque Preciso,Volto Porque Te Amo(I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) andTuristas(Tourists) (Alicia Scherson,2009)4 cited