SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Communication in Indian raga performance
0 references·9 citing·40 second hop
Communication in Indian raga performance (2005)Communication in Indian raga performanceUnderstanding the Meaningfulness of Vocal and Instrumental Music Teachers' Hand Gestures Through the Teacher Behavior and Gesture Framework (2019)Understanding the Meaningfuln…A framework for studying teachers’ hand gestures in instrumental and vocal music contexts (2017)A framework for studying teac…Method for Analyzing Gestural Communication in Musical Groups (2016)Method for Analyzing Gestural…Role, Status and Hierarchy in the Performance of North Indian Classical Music (2015)Role, Status and Hierarchy in…Interval Size and Affect: An Ethnomusicological Perspective (2013)Interval Size and Affect: An …Gesture and the Sonic Event in Karnatak Music (2013)Gesture and the Sonic Event i…Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology (2012)Thoughts on an Interdisciplin…The Lotus and the King: Imagery, Gesture and Meaning in a HindustaniRāg (2009)The Lotus and the King: Image…Modes of Communication Between Members of a String Quartet (2009)Modes of Communication Betwee…Praat : doing phonetics by computer [Computer program] (2011)Praat: Doing Phonetics by Computer (2011)New Perspectives on Music and Gesture (2016)Gesture in Musical Declamation: An Intercultural Approach (2017)Gesture Networks: Introducing Dynamic Time Warping and Network Analysis for the Kinematic Study of Gesture Ensembles (2019)The sense of music: semiotic essays (2001)Metaphors We Live By (2003)Vocal communication of emotion: A review of research paradigms (2003)A Sanskrit-English dictionary (1891)Hand and mind: what gestures reveal about thought (1993)Rudimentary determinants of attitudes: II. Arm flexion and extension have differential effects on attitudes. (1993)Music, Meaning and Culture (2012)"Dancing Fingers": Embodied Lineages in the Performance of Okinawan Classical Music (2013)Emotions in Indian music history: anxiety in late Mughal Hindustan (2021)Complexity and Creativity in Organizations (1996)Introduction to Social Research: Quantitative and Qualitative Approaches (1998)Creativity in virtual spaces: Communication modes employed during collaborative online music composition (2015)The Discovery of Grounded Theory (2017)Transactional Culture of the Portfolio Career Chamber Musician: A Case Study (2022)Interaction Ritual: Essays on Face-to-Face Behavior. (1968)A Social Psychologist Discovers Chicago Sociology (1989)Music as social life: the politics of participation (2009)Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time (2021)The varying social dynamics in orally transmitted and notated vs. improvised musical performance (2023)Pedagogical strategies for the development of improvisation and composition in North Indian classical music (2025)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Communities of practice learning, meaning, and identity (1999)The Cunning of Recognition (2002)Writing against Culture (2008)"Walking Like a Crab": Analyzing Maskanda Music in Post-Apartheid South Africa (2013)Tracing the discipline: Eighty years of ethnochoreology in Serbia (2013)Forum on Transcription (2014)The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding (1969)The Senses Considered as Perceptual Systems (1969)Gesture and Thought (2005)Technology-Mediated Hindustani Dhrupad Music Education: An Ethnographic Contribution to the 4E Cognition Perspective (2024)THE ROLE OF TUTORING IN PROBLEM SOLVING * (1976)Can Culturally Specific Perspectives to Teaching Western Classical Music Benefit International Students? A Call to Re-examine “What the Teacher Does” (2020)Promoting creative autonomy support in school music education: An intervention study targeting interaction (2023)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009Modes of Communication Between Members of a String Quartet81 cited
  • 2012Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology36 cited
  • 2009The Lotus and the King: Imagery, Gesture and Meaning in a HindustaniRāg31 cited
  • 2015Role, Status and Hierarchy in the Performance of North Indian Classical Music21 cited
  • 2017A framework for studying teachers’ hand gestures in instrumental and vocal music contexts18 cited
  • 2019Understanding the Meaningfulness of Vocal and Instrumental Music Teachers' Hand Gestures Through the Teacher Behavior and Gesture Framework16 cited
  • 2013Gesture and the Sonic Event in Karnatak Music11 cited
  • 2016Method for Analyzing Gestural Communication in Musical Groups6 cited
  • 2013Interval Size and Affect: An Ethnomusicological Perspective4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work