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The amazing spider-man and the evolution of the comics code: Case study in cultural criminology
16 references·0 citing·32 second hop
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References

  • 1949The Hero with a Thousand Faces3,786 cited
  • 1998Understanding Comics: The Invisible Art3,139 cited
  • 1969The Limits of the Criminal Sanction814 cited
  • 1954Seduction of the Innocent339 cited
  • 1996The mythology of crime and criminal justice319 cited
  • 2008Reading comics: how graphic novels work and what they mean307 cited
  • 1996Comics, comix and graphic novels : a history of comic art239 cited
  • 1999Seal of Approval: The History of the Comics Code220 cited
  • 1997Stratification and Power: Structures of Class, Status and Command182 cited
  • 2002Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-believe Violence151 cited
  • 2004Superman on the couch: what superheroes really tell us about ourselves and our society106 cited
  • 2002How to Read Superhero Comics and Why104 cited
  • 1991Marvel: Five Fabulous Decades of the World's Greatest Comics33 cited
  • 1973Comic Books: Conduits to Culture.30 cited
  • 1990The comic book in America: an illustrated history29 cited
  • 2000The portrayal of crime and justice in the comic book superhero mythos

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