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Realism as a third film practice
16 references·1 citing·28 second hop
Realism as a third film practice (2011)Realism as a third film practiceEuropean Cinema : Face to Face with Hollywood (2005)European Cinema : Face to Fac…Story: Substance, Structure, Style, and the Principles of Screenwriting (1997)Story: Substance, Structure, …True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…Narrative comprehension and film (1993)Narrative comprehension and f…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Breaking the glass armor: neoformalist film analysis (1989)Breaking the glass armor: neo…Breaking the Glass Armor (1988)Breaking the Glass ArmorWomen, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Th…Narration in the Fiction Film (1986)Narration in the Fiction FilmNarrative Discourse: An Essay in Method (1980)Narrative Discourse: An Essay…The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1979)The Melodramatic Imagination:…Screenplay: The Foundations of Screenwriting (1979)Screenplay: The Foundations o…Ideological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…Natural categories (1973)Natural categoriesTHEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…Philosophical Investigations. (1954)Philosophical Investigations.Precarity in European Film (2022)Precarity in European FilmTwelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)Base-rate respect: From ecological rationality to dual processes (2007)Playing for Real (2008)Taking “Fun and Games” Seriously: Proposing the Hedonic-Motivation System Adoption Model (HMSAM) (2013)Moving image theory: ecological considerations (2005)New Vocabularies in Film Semiotics (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)Narrative Complexity in Contemporary American Television (2006)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Routledge Handbook of Multimodal Analysis (2010)Narrativity, Narrative Identity, and Social Action: Rethinking English Working-Class Formation (1992)The narrative constitution of identity: A relational and network approach (1994)Coping and co-creating in tourist experiences (2010)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Representativeness Revisited: Attribute Substitution in Intuitive Judgment (2002)Core affect and the psychological construction of emotion. (2003)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)An argument for basic emotions (1992)Emotion regulation and mental health. (1995)Cognitive Linguistics (2004)Formative assessment and the design of instructional systems (1989)On a confusion about a function of consciousness (1995)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Visual Narrative Structure (2012)Mediated Martyrs of the Arab Spring: New Media, Civil Religion, and Narrative in Tunisia and Egypt (2013)
this work references cited by second hop

References

  • 1987Women, Fire, and Dangerous Things12,688 cited
  • 1954Philosophical Investigations.12,192 cited
  • 1973Natural categories2,553 cited
  • 1980Narrative Discourse: An Essay in Method2,188 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1997Story: Substance, Structure, Style, and the Principles of Screenwriting809 cited
  • 1993Narrative comprehension and film610 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 1979The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess451 cited
  • 1979Screenplay: The Foundations of Screenwriting377 cited
  • 1988Breaking the Glass Armor264 cited
  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory236 cited
  • 1989Breaking the glass armor: neoformalist film analysis225 cited
  • 2005European Cinema : Face to Face with Hollywood201 cited

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Cited by

  • 2022Precarity in European Film6 cited