True Lies: Perceptual Realism, Digital Images, and Film TheoryStephen Prince1996-01-01articleFilm Quarterly236 citationsbronzeNo readable copy stored yet — this record is metadata only.Cinema History and CriticismVisual Culture and Art TheoryCinema and Media StudiesAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 236 citations exist upstream.References2001Camera Lucida: Reflections on Photography1992Representing reality: issues and concepts in documentary1965THEORY OF FILM: The Redemption of Physical Reality1989Attribution in Social and Parasocial RelationshipsCited by2006The Impact of Science Fiction Film on Student Understanding of Science2003Memory and popular film2013Exhibiting Cinema in Contemporary Art2011From Grain to Pixel2010Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales2007Desire, Youth, and Realism in Tamil Cinema2011Sutured Reality: Film, from Photographic to Digital2014Animating the Instant