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Scale Systems and Large-Scale Form in the Music of Yes
16 references·2 citing·28 second hop
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References

  • 1996Stravinsky and the Russian Traditions306 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 2011In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music242 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 2010Triadic Modal and Pentatonic Patterns in Rock Music165 cited
  • 1997Rocking the Classics104 cited
  • 2002What to Listen For in Rock100 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited
  • 2008Signature Transformations84 cited
  • 1992Patterns of harmony81 cited
  • 2004Scale Networks and Debussy79 cited
  • 2013Subverting the Verse–Chorus Paradigm68 cited
  • 1990The Music of Claude Debussy61 cited
  • 1997Progressive Rock, “Close to the Edge,” and the Boundaries of Style52 cited
  • 2013Progressive Rock Reconsidered48 cited
  • 2008The Foundations of Rock43 cited

Cited by

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2019
Diatonic and Chromatic Tonicization in Rock Music
5 cited
  • 2015Expansive Form in Pink Floyd’s “Dogs”3 cited