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Pat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory

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References

1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
1980The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems195 cited
2004Neo-Riemannian Theory and the Analysis of Pop-Rock Music94 cited
2000Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes78 cited
1947Thesaurus of Scales and Melodic Patterns55 cited
1977Chasin' the Trane. The Music and Mystique of John Coltrane33 cited

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2015Blues music theory and the songs of Robert Johnson: ladder, level and chromatic cycle4 cited
2022Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving4 cited
2017Two Approaches to Tonal Space in the Music of Muddy Waters2 cited

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