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Um soldado na frente de batalha, um cientista no laboratório. A vanguarda de Aleksandr Rodchenko entre a cultura visual e a cultura política
16 references·1 citing·28 second hop
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References

  • 2001Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West637 cited
  • 1986Kino-Eye: The Writings of Dziga Vertov503 cited
  • 1992The Contest of Meaning: Critical Histories of Photography405 cited
  • 1999A New history of photography242 cited
  • 2006Imagine no possessions: the socialist objects of Russian Constructivism174 cited
  • 1977Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934124 cited
  • 1997The struggle for utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-194690 cited
  • 1971The Russian experiment in art, 1863-192283 cited
  • 1993The Great utopia: the Russian and Soviet avant-garde, 1915-193265 cited
  • 1984The 20th Century Poster, Design of the Avant-Garde55 cited
  • 2000Camera Obscura: Socialist Realism in the Shadow of Photography53 cited
  • 1997Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment47 cited
  • 1975Russian Cubo-Futurism, 1910-1930: A Study in Avant-Gardism24 cited
  • 2006Um olhar sob suspeita6 cited
  • 2000Promoting Constructivism: Kino-fot and Rodchenko's move into photography3 cited
  • 2000

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The histories of the Soviet photograph: At home and abroad
3 cited

Cited by

  • 2016Tina Modotti e Kati Horna, fotógrafas produtoras de duas imagens situadas entre a fotografia obrera e o humanismo1 cited